| In the Kangxi period of the Qing dynasty,Wang Zhengxiang compiled the Xinding Shi-er-lv Jingqiangpu,which was the only special tune in the Yiyangqiang opera’s history.This paper takes the Jingqiangpu as the research object,by microscopic perspective to the musical score of the editorial style and selects the content and music system rules and so on were discussed,and from the macro to summarize spoke features of Jingqiang opera,with the Kunqiangpu and other musical scores and anthologies in contrast to grasp the significance of Jingqiangpu,thereby make a more comprehensive and in-depth research of it.The first chapter is the study of author’s identity,works and the the formation of Jingqiangpu.Through the search and analysis of the relevant documents of the editor of Jingqiangpu,this paper studies the identities of several editor related to Jingqiangpu;secondly,it analyzes the existing works of Wang Zhengxiang and others,and studies the compilation time,participants,version and collection information;on the basis of the study of the editor’s identity,combined with the conditions of the times and the development of music,it compiles Jingqiangpu to study the cause of formation.The second chapter is the study of the compilation style of Jingqiangpu.Based on the summary of the author’s narration and the specific style of Jingqiangpu,this paper discusses the compilation principles of Jingqiangpu;according to the specific style setting in the musical score,it compares Jingqiangpu with the traditional tune system of the musical scores,and studies the uniqueness of the twelve tone style of the musical score;on this basis,from the perspective of the history of the development of the music,it comments on the innovation and limitations of the unique style setting of the musical score price.The third chapter is the research on the content of Jingqiangpu.Starting from the source,number and time distribution of the selected music in Jingqiangpu,on the basis of statistics of the source of the selected music in the musical score,combined with the description of the editor in the musical score,the principles and characteristics of the selected music in the musical score are summarized.Through the text comparison between the selected content of Jingqiang opera and Kunqiang opera,as well as other musical scores and anthologies,etc.,we can systematically understand the text and rolling white of the selected Jingqiang opera.The fourth chapter is the study of the form and the rules of Jingqiangpu.From the perspectives of perfecting the Qupai system,rectifying the offending melody,correcting the southern melody,standardizing the Jingqiang opera,recording the Qupai and the melody of the Jingqiang opera,this paper studies the characteristics of the Qupai in standardizing the melody.The fifth chapter is the study of the characteristics of Jingqiang opera.On the basis of the internal research of Jingqiangpu,this paper studies the characteristics of Jingqiang opera reflected in the musical score from a macro perspective.Combining with the literature records and the marks in the musical score,this paper mainly discusses the characteristics of Jingqiang opera,such as the relationship between Jingqiang opera and its voice,tone,Bangqiang,rhythm and so on.The sixth chapter is a comparative study of Jingqiangpu and Kunqiangpu.From the compilation style,selection content and rhythm of the two musical scores,this paper makes a comparative study of the two musical scores compiled by Wang Zhengxiang and others,and then makes an in-depth study of the relationship between Jingqiang opera and Kunqiang opera.The seventh chapter is the summary of Wang Zhengxiang’s concept of music.Through the comprehensive investigation of Wang Zhengxiang’s several works,combined with the editor’s narration,this paper summarizes and studies his ancient optimism,the view of development of music and the view of rhyme of music..The eighth chapter is the study of the significance of Jingqiangpu.Based on the research of the above chapters,this paper discusses the significance of Jingqiangpu from the aspects of stylistic style,copus and literature respectively. |