Research On The Space Narration And Audience's Secondary Production Of Gongdou TV Series From The Perspective Of Media Society

With the development of media technology,modern people's lives are more and more affected by media,and permeate into every aspect of people's lives.As a kind of mass media,the TV series about palace fights has shaped a kind of power space with realistic directionality.Meanwhile,with the help of increasingly rich media,it has carried out the diffusion of meaning and exerted an influence on the audience's cognition and behavior.Here,it is the foothold of the article to study the narrative mode of palace fighting space and to reflect on it.In the text,this paper first combs the evolution process of the palace fighting space,and thinks that the focus of the space narrative lies in the change from the front to the harem,from the open scene to the private life place,from the grand narrative to the drama trend,and then focuses on the focus of the writing —— the current palace fighting theme TV drama space narrative.In the process of analyzing spatial narration,the paper firstly analyzes the construction of image language on the sense of closure and authority.Secondly,the attributes of the mass cultural products make the palace palace space narrative under the influence of the spectacle of the media,pay attention to the contradictions and conflicts and the plot stimulation,presenting the space form of the opposition between the "noble family" and the "cold palace".Such a spatial form is similar to the hierarchical and competitive power relationship that modern people feel in real life workplace life.Meanwhile,diversified media communication and marketing means deepen the significance of the struggle in space and arouse the resonance of the audience by subdividing demands and transforming life scenes.Derived under observation in this space narrative audience secondary production,can be found that the audience with the dramatis personae,formed a community after the relationship established with palace fighting theme TV drama's space,by the expression package appropriate kernel space in the struggle,in the form of palace fighting theme TV drama group of rich space narrative text,in the following,on the basis of the original space form,to the real extension space of palace fighting.On the other hand,the audience also thinks about the spatial form and the character relationship beyond the given text.They reorganize the character relationship and transform the spatial form in the form of creating and mixing videos with humanity.In the way of breaking the original narrative space and changing the story space by "passing through",it enriches the form of palace space and expresses the audience's exploration spirit of positive life.Finally,the article first return to GongDou space narrative itself,found that the differentiation of the narrative of the same will GongDou space characterized by a pyramid structure,by high density of scene conversion and the character of high and low position different status changes,by typing spatial narrative meet the emotional needs of the audience to fight,conflict and revenge.In this case,the audience unconsciously follows a similar narrative mode in the process of hearing and seeing,and carries out secondary production to satisfy their own desire,so that the spatial form of production is highly consistent with the original palace space,and the original space cannot be truly subverted or transformed.At the same time,the communication of the audience needs to be completed in the community,and the enclosure of the community in the construction makes it similar to the power stratification emphasized by the stereotyped space narrative,which limits the dissemination scope and efficiency of the secondary production of the audience,and restricts the reconstruction of the space and the free development of human beings.