"Intruder" In The Harem: A Study Of Female Consciousness In Palace Fighting

Since the 1990 s,with the deepening of feminist research,women’s subjective consciousness has gradually awakened.Women have finally stepped out of the family field that has long been stuck in their own homes and are allowed to participate in social work in the public sphere that was originally male.However,due to the long-standing historical concept and the potential maintenance of the patriarchal system in the market economy,the status of women today is far from the level of gender equality advocated by society.The progressive female consciousness is restricted by the social reality environment,causing women to lose their corresponding identities.In such a social background,the drama of the palace appeared in the public’s field of vision,and was enthusiastically sought after by the majority of women,the ratings are high,and the reasons for this are related to the loss of female identity?This paper attempts to peruse the text of the palace drama from the perspective of female identity construction,and explores the potential identity of women in the text.The article is divided into four parts.The first chapter is the study of modern female consciousness and modern women’s living environment.It is found that there is a certain deviation between the two,which makes women’s identity blurred and unclear.In the second chapter,through the discussion of the text space of the Gongdou opera and the real social space,it is found that the text space in the Gongdou drama has a partial projection of the modern social system,so that the text space of the Gongdou drama is in contact with the modern society.The third chapter is also the core part of the thesis.Through the text reading,it is found that the creator reconstructs the cultural form and identity orientation that is different from the real society in favor of women in the drama.Women can’t get accurate identity in the real social environment,and try to find spiritual sustenance in the text of the palace drama.This is also the core factor that the author believes that the palace drama can be enthusiastically sought after by women.In the final reflection part,the author stood on the perspective of the creator.Although the cultural reconstruction and identity positioning of the palace fighting drama can allow women to gain spiritual trust,it also has a certain guiding role for women in society and has its own unique features.However,there are still relatively conservative parts in the setting of the harem women’s value recognition standards,etc.,and I hope to provide some reference for future palace fighting drama creation.As a female TV drama text,Gongdou drama provides a good opportunity for us to reflect on the modern women’s survival predicament.How can we provide a more secure living space for the female group whose identity is unclear?...