Research On The Aesthetic Form Of Yan Lianke's Theocracy

From the early novel "The Sunlight Flowing Year" to later high-quality works such as "Hard as Water","Survival","Four Books" and "Sun Extinction",Yan Lianke has long been among the teams of outstanding contemporary writers.At the same time,as a writer,what is more important is his conscious sense of innovation.When he found that the traditional creative methods gradually became a hindrance to the continued advancement and development of literature,in order to achieve the logical and true nature of the society,Yan Lianke used the inherent logic of the society to self-encode the stories to be told,and discovered that His own unique aesthetic creation concept-deism.In addition,Yan Lianke conducted a rich variety of novel language and structure experiments under the guidance of realism.But looking at the research of Yan Lianke’s novels,the overall evaluation of his novels’ creative achievements and status in the history of contemporary literature is relatively misplaced and controversial.As "the person who feels the darkness chosen by heaven and life",Yan Lianke is committed to exposing the disadvantages or disasters of the social level and human spiritual level after alienation.The author believes that Yan Lianke hoped that the literary power generated by in-depth inspection and strong criticism was based on the pain of non-existent pain to stab the existing nerves,but it also lost the actual foothold and became a suspended force.Therefore,the full text is divided into four parts: First,it explains its self-aesthetic aesthetic theory—the realism,including its origin,specific meaning and impact on literary creation.Secondly,in exploring and practicing realism,Yan Lianke’s experiment with the language of the novel is the leader of contemporary writers.The author analyzes its multi-lingual forms with deep aesthetic connotations for several major works.Including: red language,dialect dialect,biblical body language,children’s question language.Then,in addition to devoting to the multiple transformation of language,under the influence of realism,Yan Lianke was also ingenious about the structure of the novel.The third part mainly analyzes these complex structures.Including: The Suo Yuan style,The Xu Yan style,The Book of Songs style,the four books style.Finally,through the in-depth exploration of Yan Lianke ’s realism and its aesthetic forms under the influence of the first three parts,the author finds that the rich aesthetic form corresponding to the extreme suffering writing corresponds to the spirit of the work ’s ideology and the spirit of the reader.Heavy pressure.The reality in Yan Lianke’s writing is a world dominated by the trauma caused by the history of inertia.The literary power generated by this writing will be extremely unstable without regulating its future development,and may be converted into a reverse force.Therefore,determining thebalance between the "reverse" and "orientation" of this literary power is the focus of his future creation.The author hopes to put forward relevant solutions through inquiry in this part.The development history of human society is not a "pastoral pastoral",but it cannot be simply described as a "tragedy".The times are complex and are the ukiyoe of good and evil of all nations.Affected by many factors such as the level of appreciation and the ability to understand,although Yan Lianke’s novels have unique literary strength and artistic charm,they can easily develop into reverse force.But for a writer who has been working hard,and has the courage to make breakthroughs and innovations,our researcher’s task is to discover the positive beauty and strength of his thought depth and spiritual direction.