Lu Kunfeng's Freehand Flower And Bird Painting Art Research

Lu kun Feng is a famous modern Chinese painting artist.In 1964,he graduated from the Department of Chinese Painting of Zhejiang Academy of Fine Arts(the predecessor of China Academy of Fine Arts).He moxibusted Mr.Pan Tianshou,Lu Lishao,Zhule San,Wu Fanzhi,Lu Weizhao and others.He stayed in school and taught all over the world.When Mr.Lu Kunfeng was alive,he wrote works such as Lin Lilu’s Painting Talk,Melan Shuo,Mozhu Yaoshu and so on,and Melan Shuo and Mozhu Yaoshu were used as classical textbooks by the Department of Traditional Chinese Painting of China Academy of Fine Arts.There is a strong bookish atmosphere in his works.He once said in an interview that Chinese painting stresses humanism.Good brush and ink should be thick.Thickness is human character,loyal and not frivolous.He thought: "Painting art is the way of loneliness,which is to study hard in order to achieve success."This article is divided into four parts to explore the art of Lu Kunfeng’s freehand flower and bird painting.The first part explores the characteristics of Lukunfeng’s painting style and the aesthetic value orientation of his painting through the integration and combing of a large number of documents and materials,starting from his life experience,through his small living environment,learning painting experience and learning from circumstances.The second part is the practice of techniques.Starting from the four aspects of Lu Kunfeng’s painting style,brush and ink,composition and theme,this paper makes a comparative analysis of illustrations and various paintings.The third part explores the causes of the style of freehand flower-and-bird painting from two aspects: personal factors and the background of the times.The fourth part is based on the above research,combing and summarizing the enlightenment and influence of Lu Kunfeng’s flower and bird painting art to us and future generations.On the one hand,for Lukunfeng himself,the development of this topic will provide a new perspective for Lukunfeng’s painting art,enrich the research of Lukunfeng’s painting field,and to a certain extent make up for the deficiencies and deficiencies in the current theoretical research field.On the other hand,for the Shanghai school system,it fills a certain gap in the research articles of various painters in the Shanghai school,combs systematically the inheritance of the Shanghai school,and also summarizes the influence of the Shanghai school on modern and contemporary painters.For the future development and inheritance of traditional Chinese painting contribute modest efforts...