Huang Binhong's Research On The Relationship Between The House Schema And Its Conception Theory In The Landscape Paintings Of Huang Binhong's Middle And Late Period

The thesis based on Huang Binhong style of landscape painting,especially the unique features of the house schema in his works of "Black Binhong" with mature style,is taken as the research object.Compared with the architecture in the ancient landscape painting,Huang Binhong’s distinctive and striking schema features are taken as the research focus.It is divided into five aspects: painting theory,art choice,aesthetic interest,artist’s feelings and modern transformation of landscape painting time and space concept to analyze the reason why it is different from ancient times.Huang Binhong divides the painting method into three parts: writing method,ink method and chapter method.This paper discusses from a specific schema of the structure of the chapter method.The house schema and other schemata form a black-and-white gray relationship,which is a virtual and real arrangement.It is an element of the picture,like a chess piece.It is often Huang Binhong’s "living eye" for making the scene and arranging troops.Through the analysis and study of the house schema,this paper attempts to explore his seeking process and artistic characteristics in the context of the constitution,from which we can see the artist’s persistence and artistic concept of "returning to the original" in the current of the times.In order to further explore Huang Binhong’s art and art theory’s understanding and understanding of the theory of creating environment,as well as the essential characteristics of spatial processing and the method of creating environment.