Juonai Yuncai Let The Study Of Bilingual Novels

As a bilingual writer of Tibetan contemporary literature,there are many Tibetan and Chinese bilingual works.During the period of gathering multiculturalism and attaching importance to and promoting the development of minority literature,Chueh-nai-yun was well known in the Chinese contemporary literary world because of his representative and leading figure of Tibetan contemporary bilingual writers.When the novel "Mu Yun Ji" came out,it was not only loved and studied by Chinese readers,but also loved by foreign readers.However,at present,the author's bilingual works combined with the research results are almost rare,so the author believes that the choice will be a little innovative to study his Tibetan and Chinese bilingual novels.There are 39 short Chinese novels,Chinese prose and short stories,including The Horn Injured Yak,short stories in Tibetan and Valley Sunshine,and bilingual novels,Mu Yun Ji.Most of the short stories in chinese are published in chinese journals such as flower city and grass,everyone,ethnic literature,and the ring was selected for publication in the 2016 anthology of novella,which has so far had the largest number of critics.This paper has three chapters,mainly using the text reading method research.The first section describes the author's brief introduction and the concept of bilingual writers and the characteristics of the translation of the bilingual works,especially the comparison and induction of the Chinese works of the author's cultural communication consciousness with the Tibetan version;the second section describes the artistic expression method,that is,the analysis of the novel plot description and characterization and environmental description techniques;the third section discusses the author's ethnic culture and religious feelings under the actual problems and attention to real life,concern for human nature and ecological environment of cultural awareness psychological thoughts.Finally combined with the former comments put forward the artistic gain and loss of the work as the end.