Research On The Female Images In The Dance Works Of Beijing Contemporary Ballet

This paper mainly uses the research methods of dance body linguistics and dance morphology to study the female images in six dance works of Beijing contemporary ballet.The first chapter expounds the creation and creation idea of Beijing contemporary ballet.First,according to Wang Yuanyuan’s artistic experience,the definition and development of contemporary ballet,and the influence of Western dance on China,this paper expounds the background of the creation of the dance troupe.The second is to summarize the creation concept of dance troupe from three aspects:the representation of Chinese and foreign classic literature works,the concern of social hot spots and the reshaping of female phenomenon.Thirdly,starting from Wang Yuanyuan’s life experience and closely combining with the dance works of the dance troupe,this paper explains the thinking and attention of the dance troupe to women.The second chapter explores the source of female images in the works of Beijing contemporary ballet.First of all,through the analysis of five typical female characters in the dance works-Du Liniang,Pan Jinlian,Hua Ling,Nightingale and Dany’s dance body language,this paper discusses the body reconstruction of female image from the historical field to the dance field,and the body rhetoric way of imitating materialization is no longer the recurrence of literary texts,but the dance expression of consciously placing female image in the contemporary perspective.Based on the above analysis of women’s images,this paper takes women’s yearning for individual liberation and freedom as the construction way of text similarity,and discusses the embodiment of intertextuality and its variation.The third chapter analyzes the female image in the works of Beijing contemporary ballet.This paper first discusses the dance structure of six works,and then summarizes the main body differences between seeing and being seen from two aspects of body symbol and the other.Then,according to the innovative application of color blocks,props,music and other aspects in stage form,it explores the role of the three in shaping female images.Finally,from the juxtaposition of dance and drama,the juxtaposition of traditional and innovative body expression,this paper analyzes the multiple coexistence of body language expression in dance.The fourth chapter,based on the previous discussion,discusses the contemporary value of the female image in the works of Beijing contemporary ballet.First of all,it discusses how to realize the aesthetic innovation in the contemporary ballet artistic style in the three aspects of rational beauty,aesthetic harmony between the two sexes and the construction of emotional symbols in the perceptual world of the works;secondly,it interprets the female form in literature and dance art according to the retrial of age boundary and role transformation,the construction and spiritual care of female discourse,and the social responsibility of contemporary female directors Image,to explore the significance and value of female image as the research object.This paper not only pays attention to Wang Yuanyuan’s subjective expression of female body as the starting point in her dance creation,but also takes a very cautious view of the cultural reflection behind this voice,so as to understand the essence of human life.