A Probe Into The Aesthetic Experience Of "Nineteen Ancient Poems"

As the top of Five-character poetry,The Nineteen Ancient Poems play an important role in the history of Chinese aesthetics.There are a large number of art expressions,which depend on the aesthetic experience readers get from Nineteen Ancient Poems.Based on these two considerations,this article studies the aesthetic experience of Nineteen Ancient Poems acquired by readers from the perspective of how the readers "expression" of Nineteen Ancient Poems developed in Chinese aesthetics context.The introduction part clarified the research origin and specific research ideas of this article.Summarized the current research status of this topic.The first chapter is focus on the aesthetic nature of The Nineteen Ancient Poems as aesthetic object.Analyze the characteristic of "qiong-qing-xie-wu" and"zhi-er-bu-ye".These characteristics are the important reasons why the object can become an aesthetic object.The second chapter focuses on the "Nineteen Ancient Poems aesthetic system",which created by reader’s(aesthetic subject)aesthetic activities and aesthetic experience.Firstly,make the system’s definition and specific standards clarified,and put them into practice on the art presentation of reader’s aesthetic experience(poem and poem criticism).Second,according to the time sequence,divided the art presentation of aesthetic experience into Jin,Song,Qi,Liang,Tang and Five dynasties,Song and Yuan dynasties,Ming and Qing dynasties and explain them separately.Chapter three centers on the Confucian aesthetic features expressed in the reader’s Nineteen Ancient Poems aesthetic experiences,and analyze this features.The fuzziness of Nineteen Ancient Poems and their aesthetic features at the intuitive level make the readers aesthetic experience have the characteristics of "wen-rou-dun-hou".As for the readers who are under the aesthetic environment created by Confucian ideology in the classical period,it is natural that their aesthetic experience has Confucian aesthetic characteristic.In addition,this chapter takes the unconscious remodeling of "Qing qing he pan cao" and "Xi bei you gao lou" as examples to illustrate,which are expressed in the aesthetic experience by aesthetic subject.The form according to the standard of "Nineteen Ancient Poems aesthetic system"set in the second chapter.Sort out the aesthetic subject’s art presentation of aesthetic experience about the Nineteen Ancient Poems,that is to say,the expression of"Nineteen Ancient Poems aesthetic system".