Research On Li Zhe's Creation Transformation In The New Era

In the 1950s,LiZhun became famous by publishing works such as Can't go that way and biography of li shuangshuang,and became one of the most influential writers after the founding of the People's Republic of China.After 1978,LiZhun was able to embark on a broader artistic road in the new era by transforming and utilizing the literary resources of the"seventeen years",and won the Mao Dun literature prize in 1984,becoming one of the few writers with significant influence and research value who can successfully "span" the two ages.The most important symbol of LiZhun's transformation from the period of "seventeen years" to the 1980s is the birth of series of works such as the river runs and the Yellow River flows to the east.At the beginning of the rivers was born,many critics do not watch the movie script,until according to the rivers based on a novel "ho-tuang huang flow to complete and Mao Dun prize for literature,LiZhun really achieved breakthroughs in the creation of the new period.In the new era,LiZhun did not devote himself to the creation of "scar literature","reflection literature" or "reform literature" as most writers did.Instead,he continued to revise his own works in the late 1970s.Taking the trend of social development in the 1980s as a reference,he re-examined the psychological structure of the peasants in the central plains,took the use and transformation of the "seventeen years" literary resources he was familiar with as the basis,and reconsidered the orientation and direction of his works.Through the research on the transformation of LiZhun's creation in the "new period",this paper hopes to approach Lizhun in the transformation period from the inside of the text,and explore another literary practice that is different from "scar literature","reflective literature","reform literature" and other major literary trends in the new period.This thesis is divided into three chapters.The first chapter is The river runs and the continuation of "seventeen years" literature resources.This chapter mainly LiZhun "rivers" as the center,in the farmers' political Cui Weishi celebration,"gender","confrontation between good and evil"the heroine image from three aspects,such as dual narrative analysis LiZhun the writing in the late 70 s to the influence of many factors,especially political,as well as the changes of the era of LiZhun preliminary reflection and adjustment.The second chapter is the adaptation of the herder and the wreath at the foot of the mountain.This chapter focuses on the accumulation of liZhun's literary experience in the late 1970s and early 1980s as well as the creation of film and television literature,and explores his new understanding of national policies,as well as the influence of the adaptations of the horse wrangler and the garland under the high mountain on liZhun's creation.The capture of the breath of life,the depiction of the female characters,the treatment of the love plots,and the reflection on the fate of the individual and the country all became the new resources and basis for the next volume of the Yellow River flowing to the east.Chapter three the Yellow River flows to the east and the remolding of history.This chapter mainly focuses on the east flow of the Yellow River,discussing how liZhun finally broke through the shackles of his original thinking,effectively integrated his "seventeen years" with his complex experience in the new period,and realized his new literary practice.This chapter discusses liZhun's unique literary pursuit in the new era from three aspects:the historical poetic pursuit of novels,the return of realism,and the dual narrative of rural and urban areas.In this sense,the Yellow River flows to the east is not only the pursuit and exploration of the national spirit,but also a beneficial attempt of the "seventeen years"writers to break through themselves and renew the strong voice of The Times in the eighties.