Exploring The Blending Of Flying Patterns And Lacquer Painting

This paper takes Dunhuang feitian decoration as the object and takes the artistic features of Dunhuang feitian decoration as the focus of analysis to explore and study the blending of Dunhuang feitian decoration and modern lacquer painting.The main research contents are as follows:first,the overview of Dunhuang feitian decoration and Chinese lacquer painting;second,the analysis of artistic elements of Dunhuang feitian decoration;third,the exploration of Dunhuang feitian decoration in lacquer painting creation;fourth,the thoughts and enlightenments of the integration of Dunhuang feitian decoration and lacquer painting.Revitalizing China and restoring cultural self-confidence do force us to re-examine Chinese traditional culture.The Silk Road has once again become the focus of the public's attention with the proposal of“the Belt and Road",policy.Dunhuang Mogao Grottoes is a bright pearl on the Silk Road.It was built in the second year of Qin Dynasty and ended in the Yuan Dynasty.It is the Buddhist art sacred place with the largest existing scale and richest content in the world,and it is called the treasure house of oriental art.In China's thousands of years of historical development,Dunhuang murals and lacquer art are undoubtedly two wonderful flowers in the flower garden.The development of modem lacquer painting lacks the inheritance of traditional culture.And to integrate Dunhuang feitian decoration into lacquer painting creation not only makes lacquer painting work have a certain unique artistic expression,but also promotes and innovates Dunhuang feitian decoration and Chinese lacquer painting at the same time,which makes these two arts known and appreciated by more people.By the method of collecting,summarizing and comparing the literature,this paper analyses artistic elements in modeling,composition and color of the Dunhuang feitian patterns in different periods.In practice,the Dunhuang Feitian decoration is applied to the creation through a unique artistic carrier lacquer painting by means of direct application and simplification.So that readers can have a deeper and more intuitive understanding of lacquer painting creation while understanding Dunhuang Feitian.This paper creates a group of lacquer paintings combining the usual skills of lacquer painting.I hope that through my efforts,I can show the charm of traditional culture in this way.The innovation of this paper is that though there are a lot of materials about the separate study of Chinese lacquer painting and Dunhuang feitian at present,there are few theoretical studies on the integration of them.Some creators have not risen to the theoretical level when they apply them to practical creation.Therefore,the study on the basis of practice has certain practical significance and belongs to a new theoretical research area.