Utopian Complex In Mongolian Novels In The New Period

"Utopia complex" is a very prominent phenomenon in Mongolian novels in the new period(1978-2015).Since the 1980s,the inheritance of the traditional culture "baomba ideal",the survival crisis in the process of modernization,the influence of ideology at home and abroad,especially the promotion of western modern ideology,have started and accelerated the construction of the "utopian ideal",in Mongolian novels.The utopian complex reflects a historical view of "loolking back" and the "baomba"values of pursuing harmony,truth,goodness and beauty,and a tendency of primitive,natural,distant and distant classical beauty.This paper consists of four parts:introduction,five chapters,conclusion and appendix.The introduction explains the reason,research object,research overview,research value and research method.Chapter one examines the "utopian ideals" and "causes" in Mongolian novels in the new era from the aspects of social and historical modernization,literary inheritance,and the influence of ideology at home and abroad.The characteristics and development course of the utopian ideals in Mongolian novels in the new era are explained from three aspects:"ecological ideal generated by natural crisis","cultural ideal constructed in cultural crisis" and " social ideal triggered by existential crisis".The second chapter,from the real world criticism--bao muba's loss;Grassland gobi nostalgia--baomuba look back;The pursuit of an ideal world--the construction of baomba and other three aspects of the utopian ideal in the new era of Mongolian novels in the performance.The first section argues that the loss of bomba,a critique of the real world,is the most superficial manifestation of the utopian complex,and that the destruction of nature,the loss of morality and the extinction of humanity are the main causes of the crisis of utopian ideals.the second section explains the "gobi utopia--the return of baomba",from three aspects:the opposing paradigm of "city--gobi",the prototype of "host--hometown",and the harmonious way of "human--animal".The third section holds that "the pursuit of an ideal world--the construction of baomba" is the deepest expression of the utopian complex in Mongolian novels,and believes that the secret space,the ideal space and the social space are the concrete ways to construct the utopian ideal in Mongolian novels in the new era.The third chapter holds that "utopia writing" is the concentrated embodiment of utopia complex.Utopia writing in world literature can be divided into three stages:ancient,modern(after the "Renaissance")and modern(after the 19th century).The second section makes a case study of representative works.It is believed that the spiritual utopia of ji qinghe's novels,the gobi utopia of mo hasbagan's novels and the "three worlds" of ayutzana's novels are typical representations of the utopian writing of Mongolian novels.The third section summarizes the basic characteristics of the utopian writing of Mongolian novels from three aspects:the description of ideal nature,the imagination of ideal personality and the idealization of traditional culture.Chapter four examines the relationship between utopia complex and literary trend of thought.The first section deeply analyzes the multiple embodiment of utopia in the "new myth writing" from three aspects:the imagination of the new "poetic home",the consciousness of the "poetic masters",and the search of the spirit of kilian.The second part holds that the consciousness of hardship in childhood memories,the consciousness of culture in nature description and the consciousness of criticism in vagrancy and wandering are the multiple manifestations of utopia complex in "local literature".Section three generalizes the expression of utopia in "ecological literature" from three aspects:the loss of group homeland,the search for group homeland and the construction of group homeland.Section four examines the embodiment of utopia complex in"root-seeking literature" from three aspects:the criticism of the bad root of national culture,the promotion of the good root of national culture,and the reconstruction of national cultural spirit.Section five explores the reasons for the loss of utopian ideals in "social problem novels" from three aspects:the change of survival method,the change of values and the transformation of cultural thinking,and holds that the imagination of"new mongolians",the construction of "new villages" and "new culture"are the concrete embodiment of utopian ideals in "social problem novels"Chapter five examine the relationship between utopia complex and aesthetic ideal of Mongolian novels.The first section probes into the unique "utopian aesthetic" characteristics of Mongolian novels from three aspects:idealism,heroism and mysticism.In the second section,the yearning for the "past" and the pursuit of the "ideal" in the value level,the"sense of crisis" and "cultural nostalgia" reflected in the conflicts between human and nature and different cultures contribute to the "tragic style" of the "utopia" novels.The third section mainly examines the dystopian writing.The main features of dystopian writing are the "secular degeneration" in the rational vision and the "hidden threat" in the perceptual experience.In the conclusion part,the author not only summarizes the thesis,but also explains the existing problems and future research directions.