Aesthetic Research On The Color Language Of Contemporary Meticulous And Heavy-color Portrait Painting

Looking back at the long history of Chinese art,the meticulously colored figure paintings occupy a vast space,carrying the national spirit of self-improvement and interpretation of the splendid ancient civilization.After long-term development,it has gradually formed its own unique color concept and language system,but The contradictions and difficulties accumulated in the development of art,the influence of the literati's extreme cultural awareness and the change of aesthetic orientation,so that the paintings of the heavy paintings after the Tang and Song Dynasties fell into a difficult historical situation,forming a "heavy color" and "ink painting"."The aesthetic form of two kinds of Chinese paintings,the heavy paintings of the meticulous paintings were painted by artisans,and they were despised by many literati and gradually fell into the dead end.Until the 1980 s and 1990 s,the art of meticulous art was once again active in the public's field of vision.In the many two-way collisions with Western art trends and traditional Chinese paintings,great changes have taken place,which has been derived from an open system.Tradition,one-handedness to the future,the use of color has become a breakthrough to break the traditional techniques of painting and coloring.The artists have carried out various changes and attempts to continually tap on color methods such as oil painting,watercolor painting and Japanese painting.In the essence,use various expression techniques to explore the color language form that conforms to the contemporary aesthetic taste.Under the impetus of technical science,cultural thoughts and materials tools,contemporary meticulous paintings have formed their own unique color concepts and color language systems,and they have been continuously improved in the process of development.This paper combs the development process and the reasons for the resurgence of the paintings of heavy-painted figure paintings from the perspective of ontology language.It examines the Chinese color concept and the color painting theory of figure painting under the influence of traditional philosophical thoughts,and clarifies the formation and development of the color system of meticulous paintings.From the perspective of color language,it traces the relationship between contemporary meticulous paintings and traditional meticulous paintings.Taking tradition and change as the starting point,this paper analyzes the aesthetic orientation and style of the color language of contemporary meticulous paintings through three aspects: personal emotions,color concepts and creative ideas,and reveals the significance and value of the contemporary transformation of the color language of meticulous paintings.Finally,in combination with his own paintings,he talks about the forms of techniques and personal perceptions.