The Cultural Connotation And Aesthetics Of The Chinese Character "Meng"

For a long time,Chinese character "?(meng)" has been directly related to human beings and the most intimate and mysterious object world because of its connotation.It has been valued and explored in the field of ancient Chinese culture.Chinese character aesthetics is an attempt to use Chinese characters as pictographic image symbols,and to study and explore in the philosophical-aesthetic quadrant."?(meng)" is based on the Chinese characters aesthetics.Its glyphs and meanings are more organic and reasonable combined than previous research methods,and the philosophical aesthetic research methods and related theories are used in this process.It enables us to gain more knowledge and understanding of its essential and regularity,restore the context and environment of ancestors' creation,and provide us with relevant cultural anthropological messages,which are fundamentally assigned to certain literary phenomena.And the origin of the literary thought and the scope of its connotation can also be effectively linked with some important conceptual categories in the field of literary culture,within the aesthetics of literature and cultural studies and aesthetic studies which can "from point to area","see the will with the small","see the will by appearance" have meanings and values that cannot be underestimated.Furthermore,the information about "?(meng)" is extracted from the context of the development of ancient Chinese philosophical aesthetics,in order to grasp the rich meaning of its generation theory,nature characteristics and value orientation in the course of cultural inspiration,for us to analyze it in general the functions and laws in the practice of literary creation are also very necessary.On the basis of inheriting the original intention,Chinese traditional philosophy reinterprets the ontology of " ?(meng)" from the two perspectives of "the relationship between heaven and man" and "the subject itself",and in the process Gradually clarified the outstanding aesthetic characteristics of the "shape or spirit" and "virtual or real" from its connotation.The above two points give the value of "?(meng)" in traditional culture,and become a method or standard that is large enough to maintain social operation and to examine individual cultivation.The philosophical aesthetic meaning of " ?(meng)" is also constantly enriched and restricted,and tends to be stable.The history of "?(meng)" has entered the history of literary creation practice for a long time,and its aesthetic function have been played more vividly.Regardless of whether it is content or form,it adds aesthetic appeal to the work,but it also maintains the efficiency and meaning commensurate with its essential meaning and philosophical aesthetics.In the exploration of the connotation of "?(meng)",we can clearly understand the growth and consciousness of human beings from the perceptual world to thecognitive world and finally to the grasp of the world.This is also a gradual accumulation of cultural and philosophical aesthetic beliefs,abstraction and precipitation results.