On The Background Of Chinese Literati Paintings In Acheng's Novels

Acheng is one of the most important writers in the history of modern and contemporary Chinese literature.He published his first novel "chess king" in 1984.As soon as appears,then the name moves the literary world.Regarding Acheng's novels,many theorists have studied from the perspectives of ideological content and rhetoric art,but no one has specifically analyzed Acheng's novels from the perspective of painting.In fact,Acheng is very closely related to painting.The painting experience had influenced Acheng's aesthetic view and novel creation to a certain extent.Starting from Chinese literati paintings and Acheng's novels and aesthetics,this paper attempts to explore the Chinese literati paintings in Acheng's novels.This paper consists of four parts:introduction,opening words,body text,and conclusion.In the introduction part,first of all,the concept,development process and main features of Chinese literati painting are briefly explained,then Acheng's novel creation overview is introduced,and finally the research status is summarized.In the opening words part,Acheng's novel The Canyons and Fan Kuan's Travelers among Mountains and Streams are compared with each other,and his Chess King and Ni Zan's Yu Zhuang Qiu Ji are compared with each other,present the Chinese literati painting background behind acheng's novels,and the main research content of this paper is cited.The body text part is divided into four chapters.In the first chapter,from the integration of structural layout,pen and ink technique,"poetry","book" and "printing" factors,the Acheng's novel form and Chinese literati painting are discussed.In Acheng's opinion,the most important thing for a novel is "how to write" rather than "what to write".Therefore,the author first discusses the "form" of Acheng's novel.In the second chapter,from the perspective of Zhuangzi's theory and Zen,Acheng's novels meaning and Chinese literati painting are studied."Form" is important,but the"content" behind "form",namely "meaning",should not be ignored.Through reading the content of acheng's novels,we can find that the most obvious features of his novels come from the zhuangxue and zen meanings in the paintings of literati.In the third chapter,deeping into the concept,Acheng's novel aesthetics and Chinese literati painting theory are discussed.It is found that a cheng's ideas of "not seeking publication","expressing state" and opposing "literary and artistic style" are in common with those of Chinese literati in their painting theories,such as "entertaining oneself',"writing the natural gas in one's mind" and "unable method".In the fourth chapter,the contents of the first three chapters are supplemented from the perspective of“introduction of heterogeneous elements”.Although Acheng's novels have the foundation of Chinese literati painting,he has chosen and developed literati painting.The conclusion is a summary of the full paper.