Derivation And Mutation

With the development of economic globalization,exchanges between countries have become more frequent,and the convergence of cultural exchanges has also swept through.As the technology changes,the building gradually converges.The cultural symbolism between buildings is gradually disappearing.Some forms of traditional culture are lost little by little.Whether it is urban architecture or landscape,it has fallen into an embarrassing situation.Under this chaotic reality,designers also realize that the Westernization of cultural development does not conform to China's own cultural values,and reflects on how to find their own traditional culture in ancient civilizations.The expression of space is represented by form.Just as the ancient Chinese landscape painting expresses the artistic conception by landscape,this paper takes the four landscape paintings as the key research object,and explores the characteristics and artistic expression of the literati paintings in the Yuan Dynasty from the point of seclusion.Combined with the case of contemporary space design,the discussion and research on the translation of landscape painting is carried out.I will sort out the Chinese landscape paintings,natural philosophy,architectural art and other materials involved in the translation process,understand the development of landscape painting in the Yuan Dynasty,explore the understanding of nature from landscape painting,and how to use modern design methods to design Return to nature and return to the mainland.