Since the beginning of the new cultural movement in the 1920 s,the revolution in Chinese painting has been buzzing.In response to the trend of the times,the focus of Chinese painting has gradually shifted to the direction of the characters.Under the new situation,there are new requirements for the characters and themes.It is difficult to cope with the performance of new things by relying on traditional performance techniques.At the same time,due to the mood of the contemporary people and Aesthetic changes,traditional expression techniques can no longer meet the requirements of contemporary people.To solve these problems,the first thing to do is to find the way to change the ink figure.People on traditional ink painting art have begun to re-recognize and actively explore the modernization of Chinese ink painting.Lu Shen have been taught to Jiang Zhaohe,Ye Xuyu,Li Keran,Liu Lingqi and others have a solid foundation of traditional ink painting and realistic foundation.They are also a creative artist.They are influenced by the "The Eighth Five-Year Trend of Thought" and think about the modernization of Chinese painting.Based on this point,it is particularly important to recognize the interrelationship between different cultures.Lu Shen is very interested in Western modern art,deeply studying Western art and combining Western modern art concepts with traditional Chinese inks.A lot of artistic practice has been carried out in exploring the language of ink painting,and the first "Ink composition" course has injected new vitality into the basic teaching of Chinese painting.Lu Shen is a person who is good at and willing to think.The traditional revolutionary pursuit,the search for truth and the enthusiasm for artistic innovation have effectively promoted the modernization of Chinese painting and made great contributions to the development of modern ink painting.The thesis is divided into four chapters.The first chapter is mainly based on Lu Shen’s artistic process.According to the stage of the work,it is divided into stages,expounding the general development of art in each stage of Lu Shen,and summing up the main artistic concepts of Lu Shen.The overall interpretation of the thinking of change includes his understanding of tradition and innovation and some views on the "modernization" of Chinese painting.The second chapter starts from the practice of ink and ink composition of Lu Shen,and explores the causes,connotations and forms of "Ink composition".Analyze and explore the support of the theoretical system behind the experiment of Lu Shen’s ink painting;the third chapter starts from Lu Shen’s works,compares with Western modern paintings,finds the commonality between the two,and glimpses the transformation of his artistic style,and learns about Lu Shen’s art.The whole process of personality sprouting,development and returning;the fourth chapter explores the growth law of ink figure painting from the influence of ink and wash on the creation of contemporary ink figure painting and the direction of revelation.Through the study of the art of Lu Shen’s ink painting,I learned the social transformation and the inevitability of the development of cultural forms behind inheritance and innovation,and affirmed the value of Lu Shen’s ink painting in the history of Chinese art. |