Script "Kuafu Chasing The Sun" And Its Creation Description

In the past,when there was no film or television,shadow play was one of the most popular folk entertainment activities.But modern shadow play or shadow play film lacks the spirit of thinking out of traditional culture.In the past dramas,shadow play as a traditional Chinese culture,the protagonist of course is mainly the older generation of artists,telling them how to inherit and protect shadow play,which will lead to the lack of an innovative spirit of combining traditional culture with modern culture.Based on this,the focus is on shaping the image of the older generation of artists,the outcome is often to regret the old artists,or to awaken the consciousness of the younger generation,learning traditional art.Therefore,shaping the image of "watcher" in the inheritance of Chinese traditional culture should be a contradiction between the "old age" and the "new era".That is,in the face of the "old age" can not bear to give up and can not withstand the "new era" temptation of young people.We chose the post-2000 years as the main creative era,because the young people at that time were mainly the post-80 s generation.At that time,more than 20 years after the reform and opening up,Western culture flocked to us.Faced with new art forms,young people can not resist the temptation and gradually abandon the traditional art forms.Faced with this "embarrassing" period,the past artistic creation either choose to inherit,or choose to abandon.But it is the golden mean to combine the two.Chen Shiheng,the protagonist in the play,chooses innovation.It shows the possibility of the diversified development of Chinese non-heritage culture.It is neither abandoned nor excluded,and can increase the drama of the story.The also explores how the heirs of traditional culture survive in the face of modern culture.In addition,the use of drama in the creative techniques,drawing on the film "a person’s shadow play" and "living" and other works of creative skills.Through the change of the protagonist Chen Shiheng’s attitude towards his father,Chen Shiheng,and the innovative inheritance of the shadow play Journey to the West.The Intertextuality between the main stories and the minor stories can better deepen the theme of the drama.