New Explanation And Reconstruction: The Phenomenology Of Spirit In "Phoenix Nirvana"

Based on guo moruo’s poetry ‘The phoenix nirvana’ and Hegel’s phenomenology of mind as a reference to the text,the two text directly related and potential relationship between the comparison study of intertextuality,with the creation of guo moruo performance characteristics and the starting point of dynamic spirit as literature,philosophy of Hegel’s phenomenology of mind idea as the basic framework,in line with the work of promoting the development of theory and criticism theory to guide the creation principle,the refactoring ‘phoenix nirvana’ poetry criticism.And try to explain the inner connection between the poem and the phenomenology of Hegel’s mind.Firstly,explore the possibility of interpreting poetry from the inherent literary principles,as well as the ways and means of reading modern Chinese poetry.Secondly,explore the possibility of the integration of Hegel’s objective idealism philosophy and poetry research,which takes ‘phenomenology of mind’ as the theoretical guide.This paper consists of five parts.The introduction introduces guo moruo’s characteristics as a globe-shaped genius,which combines the dual scientific perspectives of nature and human society,and the way of his thinking.Based on the analysis of literary texts,this paper points out the achievements and defects of Chinese poetry criticism in guo moruo’s poetry and the research on phoenix nirvana.And attempts to make a diachronic panoramic scan of the overall research status and progress of phoenix nirvana,sort out their own characteristics,identify the understanding,learn from the previous lessons,avoid potential mistakes,and grasp the current research trend.The first chapter elaborates the causal conditions and influencing factors before and after the creation of phoenix nirvana.To distinguish the pantheism of mainland philosophy from guo moruo’s pantheism,and to summarize the artistic effects of both in the same state in the text.Pay attention to the subjective and objective motivation reflected in the author’s repeated revisions of the poem.From the three principles of Schiller’s aesthetic thought,we can judge the reasonableness and wrong tendency of guo moruo’s poetic creation.The second chapter elaborates the diversified artistic achievements of phoenix nirvana with the four themes of life,culture,spirit and poetry.From the natural world life evolution,the phoenix phoenix with the same and difference generated by the unique aesthetic effect,the dialectical relationship of phoenix song with a flock of birds and order discussion,‘nirvana"’meaning discrimination,rise of personal spiritual awakening and group spirit,poetry internal creation principle,explore"phoenix nirvana" unique aesthetic characteristics and aesthetic norms of the state the literary,philosophical content.The third chapter,clarify ‘phoenix nirvana’ phenomenology of spirit and culture background,writing structure,principle and philosophy thought connotation,use the method of phenomenology of spirit cognitive interpretation of the phoenix nirvana,the potential effect of intertextuality,and up to the order of the phoenix fire of the discussion of the origin and meaning of the element of fire,the correlation of the phoenix nirvana,the phenomenology of mind,the internal spirit of immutability and fullness.By reviewing the cyclic structure and dynamic spirit of the two texts mentioned in chapters 9 and 10 of Plato’s republic,the ‘reminiscence theory’ is pushed forward to the dispute between Plato and Aristotle on the function of poetry.Conclusion,summarize the full text.By integrating nirvana of the phoenix and phenomenology of spirit,this paper restates the fact that works and theories explain and generate each other,mediates the contradiction between poetry and philosophy,and tries to provide an effective way to interpret modern poetry with purely philosophical methods.