From He Zhuo To See The Budding Of The Thought Of Tablet Studies In The Qing Dynasty

During the Kangxi period of the Qing Dynasty,there was a subtle change in the atmosphere of the calligraphy.Under the influence of the calligraphy style of Chong Dong and the enthusiasm of the visit to the tablet,a group of calligraphers closely followed Dong Feng due to the influence of the emperor's preferences.At the same time,there were also a group of calligraphers who are aware of the shortcomings and try to get rid of their appearances.They strived to seek truth from facts and visited the inscriptions on the tablet to open the calligraphy style.It was a continuation of the calligraphy style of the late Ming Dynasty.Among them,Chen Yixi,Yang Bin and He Zhuo are the representatives.If Chen Yixi is regarded as a calligrapher who focused on the ancient method of the Northern Dynasties earlier in the Qing Dynasty,Yang Bin classified the former calligraphy system in the north and south.Then,after Chen Yixi and Yang Bin,the person who affirmed the calligraphy of the Northern Dynasties and clearly put forward the aesthetic value of the North ablet and the concept of the North and the South is He Zhuo.This article meanly studies how He Zhuo became a key figure in the role of bridges in the transformation of Model calligraphers and Tablet calligraphers.His theory of calligraphy plays an important role in the formation of the forerunner school represented by Jinnong and the North-South School of calligraphy of Ruan Yuan,as well as in the development of epigraphy and the rise of epigraphy in the Qing Dynasty.He Zhuo is the representative of the emergence of calligraphy thought,which is the key to study the delicate phenomena of the formation of the pattern of calligraphy in the Kangxi period.