Analysis Of The Artistic Characteristics Of Huang Binhong's Flower And Bird Painting

At present,the research on Huang Binhong's nectaromycetes is still fewcompared with that on his landscape painting and calligraphy.The study of HuangBinhong's nectaromycetes should be carried out from the perspectives of his profoundliteracy of brush and ink,cultural accomplishment with the collection of landscapepainting,calligraphy,aesthetics from a variety of angles,exploring the unique sourceof nectaromycetes more deeply..This paper mainly analyzes the artistic characteristics of Huang Binhong'snectaromycetes from four parts.The first part mainly explains the outstandingcharacteristics of his nectaromycetes,which are carried out from three aspects:theblending of color and ink,imitating nature and the introduction of poetry intopaintings.The second part is the "inside aesthetics" in Huang Binhong's paintings andits aesthetic thoughts,including its philosophical ideology of "coexistence ofConfucianism and Taoism" and the analysis of aesthetic thoughts centered on "insideaesthetics".The third part compares the practice of "five strokes and seven inks" in thelandscape painting,the picture layout of landscape painting and the nectaromycetes,and shows the influence of Huang Binhong's view ofbrush and ink onthenectaromycetes.The fourth part is the influence of Huang Binhong's thought of"taking calligraphy into painting" on his nectaromycetes,which is divided into twosubsections:Huang Binhong's view on calligraphy,brush and ink and its practicestudy and the influence of space consciousness in his calligraphy onnectaromycetes.Through the comprehensive analysis of Huang Binhong's learning andcultivation,we have got a deeper understanding of his nectaromycetes,which has avery important enlightening effect on the creation of contemporary nectaromycetes.