| This thesis is an exploratory study on the artistic creation propositions of Chinese folk dance from "folk" to "stage".The author's self-directed self-directed master's work "The Travel"is the object of analysis,through the theory and the thesis and works.Practice supports each other and double demonstrates the "walk" of the creation of this degree work.The author puts forward "imagery expression" as the author's aesthetic pursuit in the process of creating a degree work.Throughout its creation,it tries to continuously construct and enhance the temperament and style of art works in the stage presentation.The author uses the word "?" to mean the behavior of artistic creation,emphasizing that it is a creative behavior that arises from the individual.Intention is to be effective in the creation of the "work" in the artistic creation,and the concept of "walking" must be established first.The creative aesthetics acquired and established by professional learning for many years,through the means of "walking",that is,individual independent and unique artistic creation means,to achieve the performance of"walking",that is,the final works are staged.Similarly,the author transforms the three levels of practical operation into three chapters of the thesis,and studies and analyzes the author's mental journey in the whole process of artistic creation.Through this paper and the artistic creation,it not only combs the artistic creation concepts and means established by the author over the years,but also tests and analyzes the whole process of artistic creation developed from artistic concepts and artistic means.The author constantly thinks over how to objectively rationalize the practice part in the theory,how to effectively implement the theoretical part in practice,and make the practice and theory mutually unify and support each other.With this paper,while constantly generating reflections and summaries,it will continue to lay the foundation for the "government" of "folk dance creation". |
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