The Art Of Qiu Ying's Green Landscape Painting

Green mountains and rivers as one of the classic styles of traditional Chinese painting,the green mountains and rivers have always dominated in the Tang and Song Dynasties.However,after the Song and Yuan Dynasties,the traditional literati paintings won with ink and ink,not heavy colors,which gradually lost the glorious colors in the literati painting system.It is not a denial of the unique charm and aesthetic value of the green mountains and rivers.Qiu Ying is a vivid example of advocating the rich atmosphere of ink and wash,establishing a new paradigm of green mountains and rivers,and letting the world re-recognize the unique charm and aesthetic value of green mountains and rivers.Qiuying’s green mountains and rivers are different in size and green.The green and green mountains and rivers are beautiful and elegant,and the small green mountains and rivers are written with soft colors and elegant colors.Art is a spiritual product with creativity.In addition to pursuing the color of traditional green mountains and rivers,Qiu Ying pays more attention to the expression of pen and ink language.In the rigorous and rigorous style of the court,the flexible and easy-to-write pen language pursued by the literati aesthetics The combination of the concept and the creation of the artistic conception creates a dual aesthetic taste of coexistence and elegance,and gradually creates a painting language that conforms to itself in the process of inheriting tradition and continuous internalization and development.In the aesthetic system of the literati painting,Qiu Ying can be among the "Ming 4",from the original painter,all the way to make up for the lack of his own cultural accomplishment,read the exhibition,and trace the antiques,so that he gradually has a humanistic spirit,so that The height of the paintings reaching a certain literati painting is recognized by the world,and the hardships will not be easier than the difficulty of Li Bai’s sorrow.This article takes Qiuying’s life as the research object,mainly on the macroscopic and holistic understanding of Qiuying.Based on the information collected,he understands the particularity of Qiuying’s identity since ancient times,and then on Qiuying’s green landscape.The painting process is a brief review and analysis of the main subject categories of the green landscape.Secondly,it is the foothold of the article’s research.The art characteristics of Qiuyingqing’s green landscape will be studied in a combination with the works.The green landscape will be explained in detail through four aspects: color,composition,ink and color.The unique appearance of the table,from the inside and the depth,reveals the philosophical connotation of the interpretation of Qiuying’s artistic conception and the revealing of his own subjective thoughts and aesthetic feelings.In the end,it is the influence of Qing Qing practitioners after the Ming Dynasty,and combined with the experience of the development of modern green mountains and rivers,the green mountains and rivers explored by the ancients Qiu Ying’s life will have implications for the development and innovation of our modern green mountains and rivers.