Research On Pu Xinshe's Flower And Bird Painting

Pu Xinyu,his original name is Ai Xinjue Luo · Pu Ru,and he is Prince Kung Gong Yi Xin's second grandson.As a descendant of the royal family of the Qing Dynasty,he lived in the Prince Gong's Mansion for several decades.He accepted the traditional Confucian private education since childhood,and his poetry,books,and paintings were all highly accomplished and had a great influence on later generations.His works have been exhibited many times at home and abroad,and his works of art have been widely spread.Pu Xinyu Although he is famous for painting,there are not many efforts in painting,and there are fewer efforts in flower and bird painting.The study and creation of calligraphy and poetry take up most of his energy.According to records,he has handed down more than 500 poems,which also made his unique artistic style,that is,he encountered poetry when he encountered paintings.PuXinyu's Flower and bird paintings basically follow the more orthodox literati style,poetry,books,and paintings,"three musts",and the poems of paintings run through their entire artistic career.Due to the multiple identities of the "feudal dynasty's survivors","the remnants of the war of the times",and "the immigrants of the South",he was a shadowed person in the study of the history of art in the mainland.Until recently,his works have appeared frequently in the inland art market,and his artistic value has gradually been discovered by scholars.This paper through literature textual research and a large number of image analysis,one is to compare the style of Puxinyu's flower and bird paintings in different periods,the other is to compare his works with the flower and bird paintings of other survivors painters.This paper studied the unique artistic value of Puxinyu's flower and bird painting from both vertical and horizontal aspects.The full text is divided into four chapters.In the first chapter,the causes of Puxinyu's painting style introduce his personal cultivation and life experience,as well as the painting style of his time.The second chapter first discusses the Puxinyu's early flower and bird painting style through the analysis of the famous calligraphy and painting works collected by Prince Gong's Mansion and its experience in the Xishan Jietai Temple.The second is the analysis of his mid-term flower and bird painting works from his life after his return to Beijing.the third section is the change of his flower and bird painting style and the change of mind in his later years reflected in the picture through his later years of life after he crossed Taiwan to the south.The third chapter is the analysis of the picture form of Puxinyu's flower-and-bird painting,and studies the specific performance of its techniques in different periods.The fourth chapter is the status and influence of Puxinyu's flower-and-bird painting.