On Sun Kangyi's Poetic Aesthetics In The Six Dynasties

The Chinese aesthetic critics studied the poems of the Six Dynasties.They considered the poems in the Six Dynasties to be inflexible in form,with beautiful language and erotic content.They were not orthodox.However,the Six Dynasties poetry in Sun Kangyi’s “An Introduction to Poetry in the Six Dynasties”appeared differently.She chose five poets,Tao Yuanming,Xie Lingyun,Bao Zhao,Xie Xi,and Yu Xin,and used “Description” and“Lyricism” as the two contexts of poetry to establish the lyrical tradition of the poems of the Six Dynasties.This article discusses Sun Kangyi’s theoretical background,description analysis model and public opinion analysis model.Combined with the background of the times of the Wei,Jin,Southern and Northern Dynasties,while affirming Sun Kangyi’s research value,she also reflects on the inadequacies of her research.Sun Kangyi,based on the theory of overseas lyrical schools established by Chen Shizhen and Gao Yougong,chose the two literary concepts of“Description” and “Performance”from the Western aesthetic literary theory to study the Six Dynasties’ poetry.Based on the Chinese aesthetics concept constructed by traditional schools of overseas lyricalism,Sun Kangyi used the key terms of Western literary theory and combined with the realistic situation of the poets in the Six Dynasties to explore the realistic situation.He probed the poets’ rich inner feelings and built up the aesthetics of the Six Dynasties Poetry.Sun Kangyi analyzed the aesthetic style of the poems of the Six Dynasties using the “Description” model in two parts.First of all,she relates the description to the political experience of the poet,and discusses the characteristics of the description of poetry from the point of view of the political encounter of the poet.Secondly,Sun Kangyi carried out a concreteanalysis of five poets’ poetry in combination with natural aesthetic activities,summarizing Tao’s “empirical description mode”,Xie Lingyun’s“parallel juxtaposed description mode” and Bao Zhao,Xie Zheng,and Xun Xin’s“introduction to innovation and innovation”.Sun Kangyi continued to discuss the “Lyricism” model on the basis of the “Description” model.Sun Kangyi launched a case study of five poets from poetic imagery,imaginary reality,and a sense of the screen,etc.: Tao Yuanming’s “Personal Biographies” to find his companions;Xie Lingyun expresses his inner feelings in the aesthetic moment;Bao Zhao’s ultimate pursuit of lyricism;Xie Tao’s pocket paintings The strong emotions that were hidden in the confession led to a turning of poetry and sentimentality after the turn of life.From the description to the lyrics,Sun Kangyi constructed the poetry of the Six Dynasties as a model of aesthetics.His poetic aesthetics in the Six Dynasties opened a new door for the study of the current Six Dynasties’ poetry.However,Sun Kangyi ignored the aesthetic background of the combination of the Xuan and Buddhism of the Six Dynasties and the influence of poetry rhythm forms on poetry writing.It was biased and led her to misunderstand the specific poet and his creation.