| Intangible cultural heritage is the foundation of a nation and an important cultural resource of a country.More often,intangible cultural heritage is also a spiritual appeal and support of individuals.In China,the protection of intangible cultural heritage has become increasingly prominent,especially the limitations of protection and dissemination from generation to generation are too great,resulting in many intangible cultural heritage successors no one and disappear.It is particularly important to seek effective ways to protect and disseminate.In the Opinions on Strengthening the Protection of the Intangible Cultural Heritage in China,the State Council explicitly put forward the idea of "encouraging and supporting the media such as the press,publishing,radio and television,and the Internet to publicize and display the intangible cultural heritage and its protection work,popularizing the knowledge of protection,cultivating the consciousness of protection,and striving to form a consensus in the whole society." We should create a good atmosphere for the protection of intangible cultural heritage.Over the years,the use of video technology in the protection and preservation of intangible cultural heritage has played a vital role,especially in recent years,video clips,micro-video has become the main media for dissemination.Documentary film is not only an important carrier and means of intangible cultural heritage protection and dissemination,but also the fundamental of its perfect reproduction.Through a large number of theoretical research and practice,using literature,case analysis and summary of research methods,mainly from four aspects of theoretical elaboration and practical expression,the first part of the non-legacy documentary aesthetic characteristics of the analysis,the second part of the main interpretation of documentary in the non-legacy of living protection of the shadow Like expression,the third part is about the practice and exploration of "Juxian Guomen Jian" in the preservation of non-legacy living environment,the fourth part is the value analysis of documentary in the protection of non-legacy living environment,through the theoretical basis of practical application,combined with the original works,further deepened the creation of non-legacy documentary research,to solve the non-legacy documentary film.Several key problems of creation,systematically combing the narrative structure and creative thinking of non heritage documentary. |