The Narrative Art Research Of Chinese Traditional Culture Documentary

Documentary film of traditional culture is an important part of documentary film in China.In recent years,with the increase of government’s measures to protect traditional culture in various fields,documentary film industry has constantly sprung up excellent documentary films of traditional culture,such as the forbidden city,Dunhuang,looking for craftsmen,repairing cultural relics in the forbidden city and so on.At the same time,with the help of the new medium of the internet,which was born in the east wind,the ways of spreading documentary films have been widened,and the innovative development of image technology has improved the creative level of documentary films.For documentary films of traditional culture,narrative art has more innovative space in the aspects of creators,communication ways,recipients and the like,with different tastes.To some extent,the narrative of images will also reflect the value and significance of documentary films and the aesthetic taste of audiences.This article thinks that the documentary film of traditional culture bears the responsibility of spreading Chinese traditional culture,building a cultural power and shouldering the responsibility of cultural aesthetic education,and its value and implication are contained in the narrative of images.Based on this,on the one hand,on the basis of collecting and sorting out related information,the author analyzes the narrative art of traditional cultural documentaries,analyzes and compares the narrative national time context,narrative overall construction,narrative strategy exploration,narrative cultural value and other aspects of traditional cultural documentaries with narratology as the main theoretical basis,supported by communication,aesthetics and other theories,and then makes deep exploration and research.On the other hand,the author explores the innovation and development trend of narrative ways of Chinese traditional cultural documentaries in recent years,and summarizes some new ideas and viewpoints on the narrative level of Chinese traditional cultural documentaries,which may provide reference for the development of Chinese traditional cultural documentaries in the future.