Documentary Expression Of Local Historical And Humanistic Documentary

In recent years,the Chinese documentary has benefited from the favorable conditions of policies and the environment.It has entered a period of rapid development and continuous breakthrough.Among them,historical and humanist documentary films have returned to the public after the glorious period represented by the saying of “Yangtze River” in the 1980 s.The historical and humane documentary is based on historical materials.It uses images to present history in a more vivid way.It uses various creative methods and methods to show the image’s charm,historical glory and spiritual power to the public.In the history and humanities documentary,the thick sense of the story is a reflection of the life experiences.The Changgangpo Chronicle is a story based on a large amount of literature and field surveys,which is closest to reality and tells history."Changgangpo Chronicle" uses the Changgangpo aqueduct as a carrier to cover the characters associated with the Changgangpo aqueduct of the cultural relics.Through the excavation of the fate and emotional stories behind the artifacts,it conveys information and emotions to the audience and seeks resonance.Identity.This creation focuses on the cultural carrier of the Changgangpo Aqueduct.Based on the principle of documentary,it uses the research methods of video anthropology to explore the truth,and uses a multi-perspective narrative approach to show reality,through the use of representative people.Specific examples are provided to present the details behind development and cultural relics,supplement details to introduce and enrich major events,and achieve a more vivid and documentary expression as best as possible.At the same time,the image of the historical and cultural documentary “Changgangpo Chronicle” created for the place of Yunfu City represents the local history and culture.The author hopes to take this as a case study,analyze it at various levels,guide the practice of theory,and then practice the theory of inspection.He also summed up his experience and sought out documentary creation modes and techniques that can be used for reference when creating local historical and humanistic documentary films.