Cross-morphological Reconstruction Of The System In This Paper

In recent years,the performance of Chinese film box office and the annual output of Chinese film have been steadily improved.However,there are a series of negative problems behind the rapid development,such as box office fraud,malicious attacks by network water army and the bad phenomenon of brush screen,and so on.The main reason for these problems is that the quality of films produced by domestic films can not satisfy the increasing aesthetic appreciation needs of movie audiences.How to improve the level of creation of domestic films is a problem that the industry must face and urgently need to solve.Since the date of the birth of the film,It began to draw nutrition from the literary novels.The film creators moved the stories of the classic novels to the big screen,and most of these novels made good public praise and box office results.As far as the creation of domestic films in2016 is concerned,there are a large number of novels adapted for the film,especially in November.There are two films adapted from the writers of the same name in the same name of Liu Zhenyun,which are "Someone To Talk To" directed by Liu Yulin and "I Am Not Madame Bovary" directed by Feng Xiaogang,so the industry called this The moon is "Liu Zhenyun month".It can be seen that film creators have been actively moving excellent novels to the big screen.As a notable writer of novels adapted from movies,Liu Zhenyun is very representative.His films have good reputation and box office to a certain extent.Further,the adaptation of Liu Zhenyun's novels is of great value.This paper mainly analyzes and studies the adaptation films of the three recent representative novels of Liu Zhenyun(the film adapted by the novel "Untitled Remembering 1942 Project",the movie of the same name adapted from the novel "I Am Not Madame Bovary",the same name film adapted from the novel "Someone To Talk To" by the novel.The introduction part of the paper mainly deals with the background and significance of the topic,the present situation and the innovation and feasibility.It briefly introduces the analysis theory and other research methods,and defines the relevant theoretical concepts.The first chapter is "the Present Situation of Liu Zhenyun's Novel Creation And the Review of the Adaptation",and analyzes the film and television tendency of Liu Zhenyun's novel itself,that is the aesthetic basis of the adaptation of the film and television.From the second chapter to the sixth chapter,from five aspects,such as "Plot Reorganization","Role Remodeling",Time and Space Reconstruction","Audio-visual Reproduction" and "Aesthetic Recreation",this paper makes a comparative analysis of the adaptation process from novel to film,and summarizes the restructure of its adaptation strategy and aesthetic form.The plot reorganization focuses on theanalysis of the adaptation process from the novel to the film.The film creator analyses the significance of the adaptation in terms of the increase,deletion and transformation of the plot.The role reshaping mainly studies the problems and reasons for the director's increase,deletion and remolding of the role.The space and time reconstruction is from the narrative space and the narrative time,respectively.The two aspects are systematically analyzed and interpreted;audio-visual reproduction is a comparative analysis of the different aesthetic forms between language and audio-visual language,and aesthetic recreation is a comparative analysis of the aesthetic form of the novel and the film from a macro perspective.