The Use Of Ethnic Mode Elements In The Relationship Between Sound And Picture In The Animation "Nanhai No. 1"

As an important part of modern audition art,animation music integrates the theory and practice of many artistic fields such as art creation and music creation.It not only has a certain role with the picture in the art of painting,but also plays its own unique role in traditional music.With the development of science and technology such as electronic information technology and multimedia technology,the background soundtracks in animation works are constantly developing and innovating on the subject matter and content of the work.Different from the traditional music creation,the animation music creation needs to contact the actual situation of the animation creation itself and meet the various artistic styles and types that the screen style needs.It also carries out secondary processing and re-creation of the thoughts and feelings that the animation art has to exhibit,achieving the purpose of coexistence of various artistic effects and showing its own unique advantages.The topic of the thesis follows the literature-based,literature-based research as a theoretical basis.Through consulting data,monographs,researching and borrowing from various formed works of art to find out the phenomena of the phenomena,the author finds that the elements of national dialects are the arguments.The practical creation of the relationship between animation and sound and painting is analyzed and summarized as a point of argument.Combine their own discussion of the original background music creation in the animated short film “Nan Hai No.1”.The first chapter of the thesis firstly introduces the development status of animation music at home and abroad,and expounds the methods of this paper.The second chapter mainly describes the concept of animation music,and reviews the development of animation music at home and abroad.The third chapter is the explanation of the elements of the middle tone and five tone styles of Chinese national music and the analysis of its distinctive features.Chapter 4 combines the music created by the animated short film Nanhai No.1 to study the relationship between sound and picture.The fifth chapter explains and summarizes the specific content before and after the music creation,including the concept of the early melody fragment,the composition of the medium-term composition,the choice of the orchestration,and the synthesis of the sound and picture in the later period.