The Musical Characteristics And Performance Art Of The Bamboo Flute Concerto "Eagle's Love"

Since the development of the bamboo flute art,the instrumental role itself has been promoted from simple opera accompaniment instruments to important solo instruments on the solo stage;the music is also composed of the earliest traditional sorting works “Zhong hua liu ban”,“Happy Song” and “Red Ribbon”.and other developments into the creation of solo songs "Orchid every spring","new song herdsmen","country song" and so on.In the early 1980 s,with the continuous advancement of the reform and opening-up ideology,Western music culture poured into China.The concept of concerto was accepted by the masses.In the persistent exploration and innovation of professional composers,many excellent ideas were bred.Bamboo flute concertos such as "Chu Kong Shan"(Guo Wenjing),"Walking West"(Li Zhen,Nan Weide),"Cloud"(Liu Wenjin)and other excellent works.This article analyzes and studies the musical style and performance art of the bamboo flute concerto "Eagle’s Love",and analyzes it from various aspects,such as sound field,timbre,rhythm,fear,harmony,mode,orchestration and technique.Combined with the artist’s second creation,the cooperation of the soloist and the band,and the mastery of style skills,he analyzed the bamboo flute concerto "Eagle’s Love" and tried to make the performer have a more accurate grasp of the theoretical and practical aspects of the song.