Practice And Research Of Piano Part And Symphony Orchestra Concerto Of Mozart's "Piano Concerto No. 20 In D Minor"

During the period of Vienna,Mozart's piano concerto reached its peak.The Piano Concerto in d minor(K.466)is one of them,and it has still played very often in the modern musical circle.The inner dramatic and the somber d minor contained in K.466 makes it different from the general Piano Concerto.The distinctive feature of the concerto genre lies in the cooperative relationship between the main instrumental music and the orchestra,yet the students who studied piano in China have been offered little opportunities to work with orchestras.What they can do is to replace the entire orchestra by another piano,and rehearsing concerto in the form of "piano duo".However,it caused unachievable effect and unrealizable transition from the orchestra Concerto.This thesis will analyze this work from the perspective of performance.Combined with the author's working experience with the Symphony Orchestra of Jiangsu performing arts group,I'll summarize the problems and the methods during this very rehearsal.The main research methods are experience summarization,literature investigation,comparative study and observation study,focusing on cooperative consciousness,cooperative thinking and cooperation method with orchestra.