Mobile Photography Image Research

There is a natural relationship between the visual image and the mass group.As one of popular culture,mobile photography has its unique mode of image operation.With its technological advantages,such as fast image and instant access to mobile network,it has penetrated into all aspects of daily life,and has assumed a multi-dimensional mission in the era of visual culture.It also merges into a collective visual "Carnival" which clearly projects the mood of the "anxious" of the crowd.As a popular way of visual communication,mobile photography image which is based on digital technology has its own unique narrative strategies.The display of personal visual experience constitutes the narrative contents of mobile photography."Landscape" and "self" are two typical models.In order to enhance the "visual persuasion" of photos,people use various APP as "rhetoric" to further construct images.The excessive infatuation or management of the mirrors in the screen will lead to the oblivion of the reality,so it is necessary to establish a proper aesthetic mechanism for the image.With functions of shooting,editing and sharing,Mobile photography has ruffled photography's pond and caused its own artistic identity anxiety.Nowadays the blended relationship of art and daily life are basically determined;Nowadays people's pictorial subsistence brings the upheaval of aesthetic structure.As the closest visual machine to secular life,Camera phone has deeply influenced the image mode of creation and the way of seeing.As for escaping from the vicious circle of "cultural industry" to become a kind of real art,the most fundamental thing is to wipe away the lens of modern people's mind and make it sensitive to their life and the true nature of oneself again.