Research On The Creative Characteristics And Performance Techniques Of The Flute "Small Scenery In Mountain Village"

From the 1950 s to the 1960 s,it was the booming period of China’s bamboo flute art.During that time,a large number of outstanding bamboo flute players and creators had emerged.They had created and performed many popular and well-known bamboo flute compositions.Judging from the schools of bamboo flutes,they are roughly divided into "South school" and "North school" based on geographical characteristics.The "South school" mainly play the Qu Di for Kunqu accompaniment,and the "North school" play the Bang Di for Bang Zi Xi accompaniment.These two factions are of different styles and have their own strengths,forming two distinct artistic styles on the road to artistic practice.It was not until the late 1950 s that this phenomenon began to change.The well-known bamboo flute player Mr.Liu Sen own artistic creation method and unique charming playing style led to the emergence of the bamboo flute "New school".His melodious flute was broadcast throughout millions of households.Mr.Liu Sen’s changing style of fingering and superb aura control made the characteristics of "New school" bamboo flute gradually spread in the music circle."Shan Cun Xiao Jing",created in the 1960 s,is a representative work of Mr.Liu Sen.Not only is the use of performance techniques such as breath,fingering,and tongue played uniquely by Liu Sen,but what is more important is,the song brings Mr.Liu Sen’s music from life to nature.The creative concept is vividly demonstrated.He has always insisted that combining music with natural life,which is inseparable and closely connected.The expression of music is the embodiment of the true emotions in the heart.This paper analyzes Mr.Liu Sen’ s "Shan Cun Xiao Jing" by taking the playing experience in reality as an empirical support and the theoretical guidance of ethnomusicology,the history of Chinese flute,the traditional playing techniques of bamboo flute,etc.,and then focuses on analysis and discussion.Taking Liu Sen’s innovative playing skills,strong emotional expressiveness and rich national customs as supporting ideas,the paper starts with mode and tonality,and combines performance style of "North and South" schools to analyze the creative characteristics of "Shan Cun Xiao Jing".Finally,according to the practical experience,the paper summarizes thoughts and understanding for "Shan Cun Xiao Jing" to explore newperformance style,which can obtain the outstanding essence in the creative process,and enrich the player’s perception of the emotional color of music on the basis of theory to play the tune,in order to explore its artistic value.