Research On Music Works Based On The Perspective Of Heterogeneous Structure Theory

As an art language,music is closely related to people's production and life,which means that to research and analyze musical works are the important means for further understanding music.When coming into contact with musical works,the feelings brought by works' sounds are often "partially" hard to describe,so that most of current researches on musical works start with the ontology of the work.By combining with the creation background and composer's life,a kind of“integrity" is constituted for analyzing one work.However,this analysis often imposes historical or character background on the work.Similar arguments have emerged in the development of western art history,which is whether it is more important to interpret work's history or recognize the work itself.In other words,it means the existence of an objective entity independent of man's will.The depth and breadth of researches on musical works have been continuously expanded,so does the number of materials for researching musical works in an interdisciplinary way from the perspective of psychology.In this view and taking music ontology as the starting point,this thesis focuses on the description of aesthetic psychology.Meanwhile,combining the heterogeneous isomorphism theory in Gestalt psychology,a solid bridge is built between heart and object(sound),so as to profoundly and specifically explain the imagery content of the work.This thesis is divided into an introduction,three chapters of main body and a conclusion.The introduction of the first chapter introduces the background of topic selection,research significance,research status,innovation and research methods.The second chapter summarizes the theoretical principles as well as main theories of Gestalt psychology and heterogeneous isomorphism.By means of Gestalt heterogeneous isomorphism theory,the third chapter analyzes the methods of creating musical works,including the "heart-object"construction guided by Gestalt's overall theory,heart-object-restoration guided by Gestalt Theory,heart-object recognition guided by constancy theory,and aesthetic expression guided by isomorphism.According to Chopin's "Heroic" or "Drum" Polonaise in Ab,Op.53,the fourth chapter conducts instance analysis and applies this theory to practice.