Zheng Banqiao's Calligraphy Art Research

Zheng Banqiao is Qing Yangzhou painting famous painter,one of the representatives of the "Yangzhou Eight weird" of his life by the government to the people,by the scholar becomes business,by the literati painters turn experience as a professional painter,concern for the people of the world,and enjoy the artistic achievement of "poem,book,painting"Sanjue.At the same time,Zheng Banqiao also made a lot of achievements in the art theory,put forward a lot of classic and unique insights.The most valuable is Zheng Banqiao does not rigidly adhere to the rules and regulations.In art the courage to reform and innovation,has been recognized in the world artistic achievements.His painting more than years since in real life,LAN,stone,bamboo is most common,pen clear show strength,children is not sparse.Many and is not chaotic,elegant and colorful,greatly affected the Qing Dynasty painting.Calligraphy fusion seal,scribe,Kai Zhu body,orchid,bamboo brushwork into the lines of calligraphy,to painting as a book,layout mixed Cuola,witty unified,originality,claiming to be "six and a half of the book",was later to become "stoning Pu Jie body.The first chapter of this paper expounds the social background of the formation of Zheng Banqiao's calligraphy art,that is the objective reason of the formation of Zheng Banqiao's calligraphy style.Due to the large number of people in the Ming Dynasty to enter the new regime,the Qing Dynasty calligraphy in the beginning of a long period of time,basically a continuation of the characteristics of the Ming Dynasty calligraphy.Zheng Banqiao's calligraphy art style,to a certain extent by the influence of the early Qing Dynasty book wind.On the other hand,the analysis of Zheng Banqiao's contradictory personality.Zheng Banqiao in Qing Dynasty is a complex and contradictory society,the government of the Qing Dynasty of intellectuals both CO opted Huairou and maintain their own rule,to suppress the monitoring,banned books,banned,Daxing literary inquisition.This "contradictory personality" has a profound influence on Zheng Banqiao's literature and painting and calligraphy art.In the second chapter,Zheng Banqiao's calligraphy creation activity is studied from five aspects.Zheng Banqiao calligraphy extraction method,mainly imitate the ancients;Zheng Banqiao calligraphy style evolution,through the germination period,growth period,mature period;Zheng Banqiao founded the "six and a half of the book,pay attention to draw into the book,painting and calligraphy fusion;Zheng Banqiao calligraphy strange,including shape strange,stipple strange,art of blame,this is undoubtedly to the art of calligraphy innovation.The second chapter at the end of the same period of the calligrapher Jin Nong as an example and the comparison of Zheng Banqiao's calligraphy.The third chapter mainly discusses Zheng Banqiao's theory of the book.Which explains Zheng Banqiao's calligraphy thought and Zheng plate on the relationship between calligraphy and painting theory summary.His calligraphy thought mainly includes "imitate the ancients change in me","re-examine the value of epitaphs art","likes and dislikes can be compatible with beauty and ugliness can be transformed";in the relationship between calligraphy and painting zhengbanqiao advocated "the calligraphy and painting homology","to draw into the book".The fourth chapter mainly discusses the influence and reflection of Zheng Banqiao's calligraphy art to the later generations.The calligraphy innovation should be based on the basis of the traditional,calligraphers should pay attention to the cultivation of moral character and cultural literacy,calligraphy work should embody the spirit of the times to show personal charm.