Research On Zheng Banqiao 's Calligraphy Art

Zheng Banqiao (1693--1765), Yangzhou Xinghua people, in the middle of QingDynasty calligrapher, writer, activities in the Qing emperor Kangxi to the Qian Longyears, Kangxi scholar, Juren, Jinshi Yong Zheng Qian Long, to poetry and painting"Sanjue" known to the world,"Eight Eccentrics of Yangzhou" is one of therepresentatives of. The calligraphy change intention clear, on the basis of inheritingthe tradition, absorb the essence Bei with tie, focusing on access method monumentboard, found the painting and calligraphy empathy objective rules and ways ofcreation, set up a new banner to create a new style, have no predecessors andunrepeatable--"six and a half of the book". The creation and variants, with Li Kaicursive tetrasomic coherent, joined the blue bamboo styles, distinctive features, alsoknown as the "bridge body". Zheng Banqiao with its unique artistic style, in Chinesecalligraphy history has left a thick and heavy in colours of the pen."Six and a half ofthe book" with its unique, creative, thought, the times, provides an extremely rich,precious heritage to later generations. The era of Zheng Banqiao, it is the fundamentaltransformation of rubbings of confusion and exploration period, calligraphy bookwind development to the peak and the emergence of go into a cul-de-sac sign,epigraphy Book wind began to sprout. Zheng Banqiao as a traditional book wind rebel,refused to swim echo Tiexue Book wind, active exploration, bold innovation, becomethe precursor of modern study of epigraphy, have an important impact on the theoryand practice of later generations of tablet study. Zheng Banqiao dared to beyond theage of treason, the spirit of innovation is the soul of calligraphy art, calligraphy is thespringhead China thousands of years of continual development and evolution.The first chapter of this paper describes Zheng Banqiao’s life circumstances andlife experience, namely the Zheng Banqiao calligraphy form the social and culturalbackground and subjective motives. On the one hand, the abundant economic basis,strong cultural atmosphere, excellent geographical location, broad citizen class andother factors, so that in Yangzhou in the early Qing Dynasty to develop into the mostprosperous and active area for southeast of culture and art, promote the formation ofYangzhou art market increasingly thick atmosphere, calligraph y and painting,calligraphy and painting commercialization tendency is increasingly obvious, laid thesocial basis for the formation of Zheng Banqiao’s calligraphy art. On the other hand,describes the impact of Banqiao life experience, character, political as the calligraphy creation.The second chapter discusses the Zheng Banqiao Book aesthetics thought andthe calligraphy style characteristics. On the one hand, this chapter from the scatteredin the poems, letters, prefaces and postscripts, generalizes its incisive, originalinsights, involved Zheng Banqiao creation, appreciation, criticism of all aspects, thatis the object of calligraphy and aesthetic orientation of ancient and moderncalligraphy creation, casting new in order to be different, the expression of the soul,not willing to listen to advice, calligraphy criticism character calligraphy, complementeach other, reflecting the Banqiao on the art of calligraphy, the deep understandingand keen insight. On the other hand, this chapter summarizes the aestheticcharacteristics of regular script, cursive bridge, six and a half of the book, the originof the six half of the book, the name of the origin of calligraphy, unique style andpersonalized features are discussed in detail.The third chapter analyses the relation between "six and a half of the book" andthe rise of tablet study. At the beginning of Qing Dynasty, the calligraphy calligraphyroutinization crisis, Yangzhou, special cultural atmosphere to a large number ofscholars and artists gathered here, play an important role in the rubbings fundamentaltransformation period. A major change in the Qing Dynasty history--by former steleSchool of stele school rise to the climax of the development, it is done in Yangzhou onthe stage. Zheng Banqiao was rubbing from a stone inscription fundamentaltransformation, from the front of stele school emerges to the stele school developmentperiod, to break the pilot and the typical post monument, is a precursor of modernstelae, which produced an important influence on the practice and theoretical study ofepigraphy.The fourth chapter summarizes the history evaluation, the calligraphy of ZhengBanqiao and its influence on contemporary calligraphy calligraphy inspiration. For"six and a half of the book" or "evaluation of Banqiao body" has always been Publicopinions are divergent., mixed. Zheng Banqiao in the inheritance and innovation ofcalligraphy, ink painting and calligraphy cultural nourishment, blend, contrast, stillodd and strange and the present Hall effect under the visual impact to contemporarycalligraphy to enlightenment.