Research On Music Culture Value Of Central Soviet Area

The central Soviet area has a special status and significance in history.It is the largest base area opened up by a group of revolutionary predecessors headed by chairman Mao in their blood-shedding struggle for China's liberation,carrying the flame of the revolution.Its territory mainly includes southern Jiangxi,western Fujian,and the borders among Jiangxi,Guangdong and Fujian.In 1927,under the guidance of Mao Zedong,the army entered Jinggangshan under the banner of Chinese workers' and peasants' Red Army,marking the beginning of the great revolution.In the center of the central Soviet area is Ruijin,of Jiangxi province.With the revolutionary spirit and warfare background during the specific historical period,the central Soviet area created a new kind of music culture,a culture bathed in the sunshine and raindrops of Marxism-Leninism and baptized by the new democratic revolution war.Under the overall planning and guidance of the communist party of China and the care and cultivation of the Soviet government,the music culture of the Central Soviet Area grew vigorously and finally made contributions and achieved status in the history of Chinese music and the nation.As an indispensable part of the proletarian revolutionary struggle led by the CPC,the music culture in the central Soviet area is the precious spiritual resource of the party in the specific historical period,which not only shows the wise leadership of the communist party of China,the hard struggle and dauntless fighting spirit of the military and civilians of the central Soviet area,but also makes clear to the later generations the spiritual traces of the war days.Such music culture is rich in subject,diverse in form,clear in theme and strong in political guidance,which has left precious revolutionary music wealth for later generations.Therefore,the study of music culture in central Soviet area has profound theoretical and practical significance.Based on extensive collections and collations of music historical materials of the central Soviet area,combined with the track and course of the struggle of the CPC and the historical background of the revolution led by the red army,this paper makes an in-depth summary and discussion of the value of the music cultural in central Soviet area.The author divides it into six main parts.The first part is introduction,which mainly contains four sections and makes a systematic and comprehensive description.On the basis of the topic selection,it clearly expresses the value of this paper and presents the existing academic system and research direction one by one,which lays the background material for the research of this paper.The second part focuses on the historical process of music cultural development in the central Soviet area.It is divided into three parts: the initial stage,the growth stage and the prosperity stage.By analyzing the characteristics of music pieces and various music activities carried out in each period,the development of music culture in the whole Soviet area can be more thoroughly understood.The third part focuses on the functions of music culture in the central Soviet area from three aspects: the function of political education,propaganda and mobilization,and cultural entertainment.Through analysis from different perspectives,this paper discusses the role it played in the red army,among farmers and the enemy in various regions,and how the music culture in the central Soviet area develops continuously with the revolutionary movement.The fourth part mainly describes the unique characteristics of the music culture in the central Soviet area,and it sums up in four major aspects,the first aspect is the basic characteristics combined with struggling in the revolutionary life,the second aspect highly emphasizes the ideological education function of the literary works,the third aspect is the popularization and massification of the music,and the fourth aspect is the great feat created by the mass of workers and peasants in their direct participation of art production.The fifth part of the paper is to study and discuss the historical significance and contemporary value of the music culture in the central Soviet area,starting from the status and significance of it in the music history and the nation's history,then summarizes the aesthetic value,inheritance value and educational value of the music culture in the contemporary times.And the sixth part is the author's analysis,understanding and suggestions on the protection and promotion of the music culture in the central Soviet area.The research in this paper mainly studies the music situation and specific music works of the central Soviet area,and uses methods like field investigation,literature research and interdisciplinary research to systematically sort out the history of such music culture.At the same time,it deeply analyzes the value of it,which boosts,to some degree,guiding significance for the development of aesthetic value,inheritance value and educational value of contemporary Chinese culture.