Meaning·Body·Language

Jia Pingwa is a well-known contemporary Chinese writer.He has a large amount of creative work,many comments,diverse research angles,and rich research results.However,there is still a lack of research that puts “meaning,“ “body,“ and "language" together on Jia Fringe‘s writing.This thesis attempts to penetrate from the perspective of shaping the "literary world" and to make an overall grasp of Jia Fringe‘s writing both horizontally and vertically.According to Jia Fringe‘s work,we may be able to divide its entire creation into three stages: the first stage is from1977 to 1983;the second stage is from 1983 to 1993;the third stage is from 1993 to the new century.Corresponding to these three stages,Jia Fringe's writing is roughly divided into three worlds: the first is the world of innocent and romantic art,this is a beautiful and humanistic world;the second is barren The decadent spiritual world;the third is the real world of modern reflection.These three worlds are not only the world of meaning,but also the world in which the protagonist's body is disposed and placed,and at the same time the world presenting the characteristics of its writing language."Meaning" is the meaning of human existence;"body" refers to the object,and the narrative of "body" mainly refers to the writing of "bisexual body","the body constructed by the Enlightenment Discourse",and the aesthetics of "natural body" as an extension;"Language" is a gradually conscious process that Jia Pingwawrote about each "world" or each creative stage in the exploration of language.Therefore,based on the three core concepts of "meaning","body" and "language",this article makes an overall analysis and grasp of the three "worlds" of Jia Fringe's writing.Of course,such explorations are only relative,which does not mean that Jia Fringe's writing development process is strictly in line with these three "worlds".