Modern Fusion Of Folk Music And Symphony

Zhu Jianer is a composer who seeks for innovation in his creation.He borrowed western composition techniques and organically combined with Chinese music thinking,language,and style to conform to China’s traditional aesthetic psychology and concepts,and formed his own Creative characteristics."Naxi Yiqi",created in 1982,is a very representative orchestral work after Zhu Jianer’s creative transformation,and it is also the best example of his continuous exploration and pursuit of artistic creation.The work "Naxi Yiqi" is composed of four movements,using a combination of national pentatonic and polytonic structures.The title of each movement is derived from orchestral music.They are "copper drips","honey "Crossing the River","Mother and Daughter Evening Talk" and "Dog Chasing Red Deer",according to the titles of these chapters,Zhu Jianer combined it with Naxi folk songs to develop an extremely rich imagination and artistically composed the work.Processing,creating emotionally rich and diverse forms of music.Zhu Jian’er combined his music literacy and aesthetics in "Naxi Yiqi",and made a detailed description and depiction of the work,which triggered the content and situation of the cooperative product idea.He used the music materials of the Naxi people.Matching it with novel structure and orchestration,the variety of rhythm patterns and the combination of tone colors are often changed into musical materials that are close to the original life.Wrapped in a gorgeous coat,the content and form of the work are inspired and aesthetically connected to give a vivid display.The beauty of the work.The thesis is divided into five parts: the first part introduces the reason for the selection of the works,the review of the literature,the creative methods and ideas.The second part briefly summarizes the composer’s biography and background.The third part is a structural analysis of each chapter of the work,combining the needs of musical performance and the unique structural logic of the composer,first from an epic perspective,and then analyzing the internal sound structure layout to dig out Innovation in the work.The fourth part analyzes the composition of theworks and the connotation of the works,and explores the music ideas reflected by the composers in the works,and how the composers use unique brushwork and unique perspectives to create.The fourth part studies the concrete manifestation of Chinese and Western aesthetic thoughts reflected by the composers in their works,and specifically analyzes how Zhu Jianer applied folk music materials to modern composition techniques,what kind of innovations were made,and how The ideas of western aesthetics and Chinese aesthetics embodied in innovation.