Probe Into Aesthetic Implication Of Harmony Between Man And Nature In The Calligraphy

Harmony between man and nature is a key ideology of ancient China philosophy ,it is an idea on life and the way one conducts oneself in society of the ancient Chinese . Harmony between man and nature originated in the ancient agro-farming culture, emphasizing on the harmonious relation between man and nature ,it affects ancient China on the civilization evolution all along ,and it permeates into ancient Chinese feeling ,thought, spirit and blood ,and becomes a part of life of ancient Chinese and their descendants .The thought of harmony between man and nature influents on Chinese art comprehensively. As to Chinese calligraphy ,it contributes deeply and thoroughly to the origin of Chinese character ,the germination and evolution of calligraphy , especially to the idea of creation and appreciation .Elaborately concretely ,the lively and complicated relation reflects the thought implication of harmony between man and nature between the calligraphy and universe ,nature , life ,human sense in all respects. In the circumstance of the international culture exchange and superiority of eastern culture ,there is unique academic value to present this proposition again and probe its complex implication , represent this topic of aesthetic implication of harmony between man and nature in the calligraphy does not rather aim to sort out our ancestors' academic achievement than to advocate an opening and compatible manner of scientific research in the calligraphy .This thesis base on the traditional method and language circumstances ,on the other hand ,it pays attention to draw lessons from western academic method and scientific achievement .So, on this aspect ,the course of thesis writing naturally corresponds to the academic end.