The Characterization And Singing Interpretation Of The Countess In The Opera "The Wedding Of Figaro"

Mozart's achievements in the field of opera are particularly outstanding,among which the most outstanding works are his three favorite operas.Starting from Mozart's "wedding of Figaro",this paper studies the singing and characterization of the countess' s aria and soprano duet,and probes into the key role of the countess in combination with the singing and the overall image comparison of the characters.This paper will be divided into three chapters to discuss.In the first chapter,the author mainly combines the composer's choice of the content of the opera script,analyzes the composer's creative ideas and ideas,understands the significance and value of the role of Countess;from the perspective of role building,analyzes the image requirements and singing style of Countess,the soprano role in Mozart opera.The second chapter mainly analyzes and compares the different works of Countess from the aspects of music texture and the development of characters' emotions.The third chapter mainly compares the different composers' performance,and analyzes the difficulties and solutions from the author's own point of view,so as to understand and grasp the important role of Countess more accurately and delicately.