A Comparative Study Of The Singing Versions Of "Come On,Don't Be Slow"

Mozart was one of the most important composers in the classical period.His talent and accomplishment are amazed by later generations.His works include chamber music,symphony,opera and other types.Mozart's opera is beautiful in melody and sincere in emotion,which is popular with the audience.Among Mozart's many works,the comedy opera "The Wedding of Figaro" is particularly famous,because it not only shows Mozart's skillful creative skills,but also vividly reflects the contradictions and conflicts of various roles and dramatic expression in the opera,which is delicate and interesting.In the opera "The Wedding of Figaro",Susanna,one of the heroines,sings the aria "Come on,Don't Slow down" in Act 4,which is a very famous passage.It plays an important role in depicting the psychological characteristics of the characters and shaping Susanna's personality.Although the range of this aria is not very large,it has the lightness and agility of the soprano in the typical Mozart opera,which requires the singer to have a strong control over the voice.At the same time,there are many soprano voice change points in Come on,Don't Slow,so this work can be said to have certain artistic value as well as a certain test for the singer's technology.Many soprano singers,such as Mirella Freni and Lucia Pope,have sung this aria.The two singers' singing versions are also the author's favorite,so this paper mainly chooses Mirella Freni and Lucia Pop's singing versions for analysis.I hope that through the analysis of this study,more vocal learners can intuitively feel the differences and similarities between the two classical versions,so that they can have a deeper understanding of the singing process of this song,while reflecting the artistic charm of this song,they can also enhance the author's vocal theory knowledge,so as to start in the process of daily training and stage performance.To play an active role.