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How To Create Multiple Characters In Drama Performance

Posted on:2021-04-13Degree:MasterType:Thesis
Country:ChinaCandidate:Y M LiuFull Text:PDF
GTID:2415330629487704Subject:Theater
Abstract/Summary:PDF Full Text Request
The author’s graduation work is the drama "No one survived",adapted from Agatha Christie’s famous detective novel "No one survived",in which the author plays the role of judge Vograve.The role of Vograve is the convener of the desert island party and the murderer behind the killing.Vograve is a typical multi character.On the one hand,he is a justice and rational judge,but on the other hand,he is a cruel and cold murderer who does everything to achieve his goal.There is a big difference in the characters’ personality before and after the whole play.How to express the irrational and abnormal psychological state of Vograve in accordance with the character logic is the biggest difficulty that the author encountered in shaping the character.Therefore,how to deal with the problems of internal experience and external expression is the key for the author to create multiple characters on the stage of drama.The author’s thesis "How to shape multiple characters in drama performance--Taking the role of Vograve in the drama" No one survived "as an example",studies how to shape multiple characters on the stage of drama.By studying Chinese and foreign classic drama works,this paper analyzes the important role of multiple character characters in the drama.Under the guidance of Stanislavsky’s performance system,it studies and analyzes the typical examples of multiple character characters created by Chinese and foreign drama performance artists,combined with its own stage experience of creating multiple character characters,and experiences the psychological and emotional changes of characters internally,In accordance with the real life logic of the premise,through the voice language and body language Externalization to express a real,natural multi character character character.
Keywords/Search Tags:Multiple characters, Internal experience, External expression
PDF Full Text Request
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