The Invisible Boundary In Phenomenological View

Visual perception is the most sensitive sensory organ.Look for your own visual way in the eyes of things,to see the undiscovered and recognized truths.A new way of "seeing",its view is a pure description,and a direct "see".In order to achieve the "pure intuition" of phenomenology,various attempts have been made.Because of the different horizons,the things that are seen are also different.With the flow of intention,the area that has been hidden,this uncertain ambiguity.Sex brings artists more imagination and temptation.This ambiguity is closer to reality,because the secret and invisible inner monologue is more real.On the way to reality,we met Giacometti,his small size the size of people watching things.In the sculpture made of the shape of the thin,long statue,in the painting again and again erased,so that the line's boundaries become blurred,hidden in the background.Is this the truth of Giacometti? This paper gives an explanation,though not easy,because the grasp of reality is already in a state of uncertainty.To explore the answer,the artist provides the body to communicate with the visible world.The visual formation of the body is like seeing itself in the mirror.It is visible and visible,and it is part of the visible world.In the interweaving of the visible and the invisible,the body is also looking for,and being seen,the truth.This paper analyzes the most representative artists and works in the figurative representation painting,and adopts the relevant theoretical basis of art phenomenology.By means of examples and comparative argumentation,combined with phenomenological "viewing",this paper tries to reveal the real state of existence of things,find out the most essential aspect of things,and make the visual reality hidden in works of art appear.