| As a traditional technique in China,the LiFen technique has a history of more than1000 years.For the last few years,with the revival of fine brushwork painting in heavy color,the expansion and application of the Lifen technique emerge widely in the creation of modern fine brushwork painting in heavy color.In a sense,the innovation of Lifen technique signifies that the language of modern fine brushwork painting in heavy color is entering a critical period from the traditional era to the contemporary era.At this point,has become an urgent issue for every creator and researcher about how to effectively excavate and find out the traditional resources and transform them into an organic part of the language of modern fine brushwork painting in heavy color.After a careful analysis of the previous literature and the latest findings,the author found that there are plentiful literature on the traditional and contemporary case studies,but there is a lack of vertical analysis in the development and innovation of the contemporary techniques,especially in fine brushwork painting in deep colors,not to mention the essential problem through the phenomenon.In other words,it’s necessary to think about the construction of the transformation mechanism of traditional resources through the evolution of the traditional Lifen technique in the contemporary era.This thesis mainly discusses three parts as follows:The first part is an introduction of the ancient Chinese traditional Lifen technique,mainly involving in the definition of the concept,the application of Lifen technique in ancient paintings and its aesthetic value.The second part is about the development and innovation of the Lifen technique of modern fine brushwork painting in heavy color.This part is the key one,mainly from the method of painting,the contemporary expansion of the technique is divided into three categories,namely,direct inheritance of the language form of ancient “gold powder”,the use of new materials to expand the Lifen technique,as well as the deconstruction and reconstruction of the Lifen technique.This chapter goes into the different painting methods of the same traditional techniques in the hands of different creators in modern times through the artistic aesthetic and activities of artistic creation,and gives a detailed analysis of how the artists conduct personalized mining of traditional resources,and expands to the art context that meets the requirements of reform of the contemporary fine painting.The third part is about the significance of the inheritance and innovation of the Lifen technique.That is to say,this part interprets its meaning from three perspectives: the expansion of art language of modern fine brushwork painting in heavy color,the formation of unique personal style and the establishment of traditional art resources transformation mechanism. |