Study Of Zhang Junqiu's Stage Art Creation

Zhang Junqiu is the founder of the "Zhang school" of Peking Opera.He plays an important role in the development of Peking Opera,and his stage art creation contains creative techniques,creative ideas and creative ideas that have a profound guiding significance for the stage-art creation of current Chinese traditional operas.The innovation and exploration made by Zhang Junqiu in the field of Peking Opera's Dan role mainly focus on the two aspects of singing creation and characterization.In terms of singing creation,Zhang Junqiu was based on emotion,innovation on the traditional rules,and the [San] [Nan Bangzi] [Si Pingdiao] [Gun] [Duo] ever less likely to use or lost in the monotonous traditional plate shall be rich and extend,make its aria are novel structure layout,on the basis of fully express emotion,giving the audience full of artistic enjoyment.In terms of characterization,Zhang Junqiu chooses female images with a relatively new look,reveals their deep emotional content by means of text combing,tonality embellishment and expression characterization,and shows the different personality profile in different situations,thus presenting the works with distinctive epoch characteristic in both the ideological content and the form of expression.From the perspective of stage art creation process,Zhang Junqiu participated in the creation content including play writing,singing,performance and stage design.The creation process was guided by a clear creation view,and finally presented a complete stage art image.In view of this,this thesis attempts to analyze Zhang Junqiu's stage art creation from the perspectives of his creation journey,creation process and creation concept,outline the overall picture of his creation,and explain the contemporary significance of his stage art creation on this basis.The general content and key points of this thesis are as follows:Firstly,it sorts out Zhang Junqiu's stage art creation experience,explains the main factors influencing his creation,divides his creation process into stages,and summarizes the main creation content and creation tendency in each stage.Zhang Junqiu's stage art creation was concentrated in the 24 years from the establishment of "Modest Troupe" to the beginning of "Cultural revolution",which can be divided into three stages: developmental period(1942-1951),transitional period(1952-1956)and mature period(1956-1965).The creation content also changed from various aspects.Secondly,starting from the complete stage art creation process,combining with Zhang Junqiu's creation of plays,this thesis analyzes his creation process in the aspects of play writing,singing and performance,and summarizes his creation techniques.This thesis chooses the The hatred in the Chu Dynasty as an analysis example of play writing and singing creation.By comparing it with Mei Lanfang's Wu Zhao Guan and Cheng Yanqiu's Ma Zhao Yi,it expounds Zhang Junqiu's main ideas in analyzing and characterizing characters,and explains the singing creation characteristics of Mei,Cheng and Zhang.Taking Wang Jiang Ting as an example,this thesis analyzes Zhang Junqiu's complete creation process of Tan Jier,and above this,summarizes his performance creation techniques,and tries to explain that he has a performing art style of "fullness,kindness,introversion and calmness".Thirdly,according to the above analysis of Zhang Junqiu stage art creation,from the "thoughtful","contemporary","integrity" three aspects discussed the basic connotation of creation view,elaborated the formation path of the creation view,the manifestation and main advantage,in order to from an overall understanding of the stage art creation of Zhang Junqiu,and provide basic theory reference for related research.