| The Zhongruan concerto genre works created by Mr.Zhou Xianglin-"Jumping Sound" draws materials from the folk music of southern Yunnan,which brings a different experience to the audience than ever before in terms of music vocabulary,performance techniques and performance experience.This article attempts to use this work as a blueprint for writing,surrounds the ontology of music creation with his own learning experience and starts from the aspects of creative background,musical structure,musical performance and technical difficulties.It combines the creative inspiration of the composer with the performance cases of the learner,and thinks about how to accurately express the inner emotion that the composer has integrated into the work through his own performance practice.The whole paper is divided into three chapters.The first chapter briefly introduces the composer and his creative background.The second chapter analyzes the works of "Jumping Sound",and studies the specific use of Yi music in this work while analyzing the structure of the work.It learns the composer’s creative ideas from the style,and explains the new attempts in creation.The third chapter analyzes the left and right hands performance skills in "Jumping Sound" and states the "new attempts" reflected in the performance techniques.The author hopes that through the interpretation of musical composition in this paper,more players will clearly express the implication behind the music and fully understand the creation purpose of the musical work. |