| This paper aims to make a theoretical and perceptual analysis of dangshan suona played by zhang lian sheng in dangshan,xiao county,feng xian county and pei xian county on the basis of sufficient learning experience.This paper mainly divided into three chapters,the first chapter: the big flute ground introduction mainly introduces the Zhang Lian sheng himself and the analysis of the characteristics of the "Da Di Jiao".The second chapter: the preliminary discussion of dangshan suona and its playing mode should be compared and studied from the aspects of various components,holding method and mouthwind of dangshan suona and the traditional suona set.The third chapter: zhang liansheng’s performance art characteristics of "Da Di Jiao" mainly analyzes the artistic characteristics of zhang liansheng’s performance of "Da Di Jiao".Taking zhang liansheng’s performance of da di di hang as a clue,the relationship between the dangshan suona and the traditional suona in tune setting is understood,and the familiar traditional suona in tune setting is compared with the dangshan suona,so that the unique playing skills and style of dangshan suona can be easily accepted. |
