Astudyon The Inscription Of Kuizhangge Calligrapher In Yuan Dynasty

The establishment of Kui Zhang Ge in the Yuan Dynasty,although it was not a special institution for calligraphy art,existed for a short period of time From 1329 to 1341,although the time was short,it was in the development of calligraphy It played a crucial role? Yu Ji appeared,Jie Si Si,Ke Jiusi,Ouyang Xuan,etc.,Thai Buhua,Chen Lu,Kang Lizishan,and other important book writers.Book writers and poets of this period and many other art Identity,or apprehension in calligraphy and painting? Or through poetry and writing,the perfect combination of poets and scholars made the period of literary and artistic excellence,it can be said that Kui Zhangge's artistic development during this period At the same time,the addition of ethnic minority scholars has also injected fresh vitality into the development of art in this period.This has made calligraphy development in this period present its own unique form of expression,especially in Fengyi calligraphy inscriptions and postscripts.What is the content of the postscript? Calligraphy concepts in the book postscripts have formed different characteristics.This article is based on the background of the development of the Yuan Dynasty,taking the post of the Kui Zhangge book post as a clue,and also combining history with the literature? Book scholars' questions on art works Comprehensive research? By collecting a large number of written inscriptions and postscripts,collecting,organizing,categorizing,and summarizing the inscriptions and postscripts,and the carrier object of the inscriptions in the post,content,the criteria of the book critics,and the influence of Kui Zhang ge's inscriptions and postscripts,etc.Research?This article is divided into three chapters.First,the Kui Zhang ge scholars and postscripts are defined.The time is roughly based on the period between the establishment of the Kui Zhangge 1329 and 1341 by the Yuan Wenzong.It is said that the title post is based on the scripture title? The calligraphy title on the painting is the main body? Including the calligraphy-related handwriting title in the relevant documentary records during this period,which aims to clarify the definition of the title post of the Kui Zhangge scholars in the Yuan Dynasty.divided into three chapters.The first chapter examines the historical and cultural environment of the Yuan Dynasty,which is mainly divided into historical and cultural background and calligraphy background.At the national level,the dissemination of Neo-Confucianism in Yuan Dynasty,especially the attention to the writing education of primary schools and the improvement of Han culture consciousness of Yuan emperors,provided the internal guidance for the literary and artistic ethos of Yuan court through a large number of imperial gift book activities.On the background of calligraphy,the introduction of calligraphy and painting works in the Southern Song Dynasty and Jin Dynasty,the collection of public and private calligraphy and painting are the external manifestations of promoting the Yuan Dynasty.Chapter two mainly through the Kuizhang The object and content of calligraphy are studied.Through the combination of minority calligraphers and Han calligraphers,we find that ethnic minorities and Han people show different ideas in ancient calligraphy and painting.And in the content of the postscript,it shows that "Wang Shu" as the standard of the style of evaluation,and in the evaluation of the style of calligraphy and painting through the use of calligraphy and painting techniques.The third chapter,the concept and evaluation of Kuizhang Ge's postscript Influence has been studied,through the study of the scholar postscript in the concept of evaluation,this period of evaluation ideas show a variety of characteristics,manifested in three: the "God" book respected Zhao school style of the "Chongzhao theory ",with the " Miao " book " along the Tang Dynasty ",as well as the shoulder of the book saint,straight pursuit of the book saint Shang "rhyme" theory.At the end of this paper,we study the value of the postscript of Kuizhangge calligrapher in Yuan Dynasty.We find that a large number of postscript on calligraphy and painting provide theoretical value for us to construct the model image of Zhao Mengfu as a calligrapher and the continuation of tradition.guide and reference significance.